Advance Paris PlayStream A1 Connected Integrated Amplifier: All for one and one for all.

PlayStream A1

Advance Paris may be an unfamiliar name to many despite the fact they have been around for nearly thirty years. Over this period they have grown from initially supplying their home territory in France, to now exporting to over forty countries and now to Audio T.

Aiming to produce high end audio at affordable prices, their product range encompasses: streamers, integrated and pre-power amplification, speakers (active and passive), CD players, CD transports, valve hybrid products, mini systems and WiFi/ Bluetooth accessories. Today, we’ll be looking at the PlayStream A1…

Introduction

There are three models in the PlayStream lineup (A7 / A5 / A1) of which the A1 is the most affordable. The PlayStream A1 HDMI is a connected integrated amplifier. Rated at 2x52W/6Ω in Class AB, the A1 has been designed with the ultimate goal of satisfying the discerning audiophile. It is an incredibly well appointed product, the list of its connection capabilities is a long one:

  • Wired or wireless streaming.

  • Digital inputs including USB

  • Analogue inputs.

  • Optical and coaxial digital inputs.

  • Phono (MM) input.

  • HDMI ARC.

  • Bluetooth.

  • Airplay.

  • Headphone

Design and technology

Of an all metal construction with a brushed black facia, the Playstream sports the look of a premium design. The LED display is blue and is relatively unobtrusive, it gives it a classy appearance and the blue illumination is a strong visual identifier for all Advance Paris products. The controls are metal which feel lovely to the touch.

With its impressive 52W per channel class AB amplification, it should be capable of driving most of speakers to reasonable levels quite happily.

Control

App

Although supplied with a remote control, the majority of end users are most likely to use the Advance Paris App. Streaming products can become a nightmare to use if the App is not intuitive and robust. The Advance Paris Advance PlayStream App is very, very similar to that found on WiiM (pronounced “Weem” in case you were wondering) products and is equally excellent; clear, easy to use and responsive.

Sound quality.

Plugging in a Rega Planar 3 and a pair of Acoustic Energy AE 309, the bulk of the listening was via Qobuz using the onboard decoding (most of the other major streaming services are also available).

Powering up the rather lovely illuminated power button I searched for ‘True Love Ways’ by Buddy Holly (from the original master hits). This exhibited an excellent mid range purity, The A1 is musically articulate, open and transparent.

Another of my ‘go to tracks’ is ‘Collage’ by Lady Blackbird; this highlighting the agile, tight clean bass along with a smooth treble and excellent sound staging.

The overall sonic signature is neutral and non fatiguing, which I think even the most discerning listeners will enjoy.

Running the Rega Planar 3 directly in to the phono input, I was very pleasantly surprised with the result. So many amplifier’s supplied phono stages seem to be a bit of an afterthought these days, but not this one. A spin of Yello’s ‘La Habanera’ from the One Second Album; was smoother than that of the Qobuz rendition of the same track. This is by no means a shabby performer and it is an engaging listen.

In conclusion

The Advance Paris PlayStream A1 represents phenomenal value for money. It is a “French Swiss Army Knife” of a product. It lacks for nothing.

For those looking for a complete home entertainment package that is sonically absolutely leagues ahead of even the most premium of soundbars, or for those customers who would like an excellent sounding amplifier, with all of the connectivity that they could possibly hope for (both wired and wireless), without blowing the budget, then this product is the perfect choice.

Advance Paris is now available in all Audio T stores, so expect to see more from us on these guys.

Thank you for reading.

Rob & Jon - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below… 


Audio Note - Music’s Finest Conductor?

Musical joy - The complete system from the listening chair

Here at Audio T Oxford, we are very pleased to announce that we are the latest official Audio Note dealer within Audio T. We prefaced this by making a visit to the Audio Note factory earlier in the year and being totally impressed by their quality ethos, the company’s technical and engineering capabilities, and the dedication of its staff to producing “Music’s Finest Conductor”.

Audio Note definitely plough their own furrow, one that seemingly goes against current mainstream ideas, creating products such as low- powered single-ended tube amplifiers, CD players with no over-sampling or digital filters, the belief in turntable superiority in the digital era, and loudspeakers which go against most all currently accepted speaker design principles. But there is a good reason for this, it is a calculated engineering and highly reasoned approach that produces a thoroughly musical and insightful outcome that serves all kinds of music.

Additionally, Audio Note have a continuous research and development programme into outstanding musical reproduction, and to this end have recently introduced such innovations as field coil loudspeakers and idler drive CD players.

The System

Audio Note products are terrific in their own right, but they really start coming into their own as part of a complete Audio Note system. So, we have now decided to maintain a permanent set up in our demonstration room, which at present comprises:

  • CD3.1xII compact disc player (2) dedicated modified Phillips Red Book mechanism, with analogue output stages served by two dual triode valves and custom designed capacitors

  • Otto Phono SE Signature integrated amp (2) driven by pure Class A Single Ended Pentode valves.

  • TT2 Deluxe turntable with external PSU, Arm 3/ll and IQ3 mm cartridge (2)

  • AN-J SPe Hemp high efficiency speakers and matching stands (3)

  • AN Isis interconnects (3) and AN – SPe (3) loudspeaker leads

The tt2 on top, with power supply oN THE LOWEST shelf, The CD3.1xII and OtTo amp in between.

As pictured, this is a Level 2/3 system in the Audio Note product hierarchy and majors on vinyl and CD reproduction. CD is still considered to be a viable digital medium by Audio Note and when they bring their special talents to CD replay, you will understand why!

You will have noticed that the AN-J SPe speakers are sited in the room corners. Like their bigger brother, the AN-E, the J is designed, ideally, for corner loading. The idea with Audio Note speakers is to place them as close to the corners as possible and angled in. If it is impractical to place them so, then close to a rear wall. So, overall, these speakers are designed to work in unison with near room boundaries.

So how does it sound?

Preface

We thought it appropriate having set up an all-Audio Note system, that we should review it as a unified whole, rather than a collection of individual units. That is not to say the Audio Note products cannot sound great in a variety of sympathetic mixed make systems, because in that environment they can and do sound excellent.

The Audio Note System listening notes:

A glorious combination of leading-edge attack and full-bodied decay with astonishing bass depth and a grain-free open treble reproduction; beautiful tone, timbre, and a full-bodied enveloping sound that makes it difficult to resist on any type of music programme. That is a key indicator of Audio Note systems that they will sound real and impressive, with any genre of music.

In their side wall-loaded positions, the AN-J’s in combination with the Otto opened up the soundscape considerably becoming more three-dimensional, almost holographic. The lowest frequencies of the Audio Note UK AN-J weren’t overbearing in the least, but tuneful and precisely focused in space, with a steady and unerring sense of control.

The AN-J’s in their corner position

With this system the midrange (voice) is present, articulate and expressive. This is a real litmus test in that the human voice is the final and conclusive standard by which to judge the ‘accuracy’ of high-definition sound reproduction.

This expressive sound is provided regardless of format. The CD3 contributing quite superbly with its quality, untampered data stream revealing tons of transparency and information, as well as fine musical tonality that you may have missed listening previously to your best CDs. With the TT-Two, as soon as you put on your favourite record, it immediately makes a very persuasive case for itself. The two motors allow the platter to spin up to speed almost instantly and pitch stability is rock solid.

The fantastic TT2 in action

Sonically, both the CD3 and TT-Two are muscular and powerful performers. Fast paced recordings are delivered with real urgency, underpinned with a tight and potent bass that has shape, insight and just the right amount of depth. Music sounds dynamic, full, natural and layered, starting and stopping with real poise.

Music Used

We threw all types of musical genres via CD and vinyl to see if we could trip it up:

Vinyl (please not vinyls!)

  • Horace Andy – Midnight Scorchers. A great mix of Massive Attack and dub-like sonics.

  • Lamb – The Secret of Letting Go. High dynamic range recording, drum and bass blended with downbeat bliss, excellent vocals.

  • Yello – Zebra. Well recorded 1980’s dance, with a sense of fun.

  • Sibelius Symphony No1 – BBC Symphony Orchestra/Sir Malcolm Sargent. The symphony is characterised by its use of string and woodwind solos.

CD’s

  • Mendelssohn – A Midsummer Nights Dream/Neville Mariner. A clear and natural recording.

  • Alice Coltrane – Journey to Satchidananda. A classic bit of mystical 70s jazz feat. Pharoah Sanders

  • Porcupine Tree – Fear of a Blank Planet. Rock/Prog underpinned by a fearsome bass and drum rhythm section and unusual keyboard arrangements.

  • Jeff Buckley – Grace. Classic inventive rock and melody with astounding vocals.

Summary

This system provides organic musicality in spades. It will make you keen to rediscover your music collection and give you insight into the musicians’ intent, whatever the genre. A real joy with long listening sessions guaranteed!

Available for demonstration now, come and experience the magic of Audio Note!

Thanks for reading.

Rob & Jon - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below… 


Audio Note can be found at the following Audio T stores

Affordable Hi-Fi - An absolutely superb system with Rega, Acoustic Energy and Bluesound!

It’s no secret that the Hi-Fi industry is one of the few where the more you spend, the more you get in terms of performance. So does that mean that all good Hi-Fi systems are expensive? The short answer: No. There are Hi-Fi systems out there that can be affordable without compromising quality, and today we’re going to look at just that…

We’ve put together this system for the person or family looking for a great sounding and affordable set-up, who primarily wants to be able to both stream music and also play records.

Rega Brio

I have chosen the heart of the system to be the Rega Brio amplifier. I could have chosen the junior Rega IO, but with the Brio being priced at £549* (reduced from £700) while stocks last, it is well worth shelling out the extra £129.

The Brio is a half width, no frills amplifier, packing 50 watts into an 8 ohm load. Rega took the decision to forgo having an internal DAC or Bluetooth receiver and instead opted on spending more of the budget on having an excellent in-built MM phono stage along with higher quality electrical components.

This multi-award winning amplifier is the perfect starting point for anyone looking to build a two channel Hi-Fi system.

Rega Planar 1

The Planar 1 is at the entry point of Rega’s turntable line-up and is pretty much a plug and play deck; with no anti-skate to adjust and a counterweight that simply slides onto the arm until it comes to a stop.

Speed change is manual but is very quick and easy to accomplish, you are not paying for an electronic speed change that does absolutely nothing for sound quality. It comes fitted with a Rega Carbon cartridge as standard, but could easily be upgraded should you wish.

The Rega Planar 1 is not short of competition but it truly is the ultimate budget turntable!

Listening to Yello’s excellent ‘One Second’ album; the track track ‘La Habanera’ shows just how good the phono stage in the Brio is, highlighting deep lows and possessing a lustrous tonality. Shirley Bassey’s vocals on ‘The Rhythm Divine’ exhibit a rich top end and are never bright or forward. There is good bass control but it is the lovely top end where it shines the most.

The Rega Planar 1 exhibits a smooth midrange and open treble. The lower frequencies are tight and punchy.

Bluesound Node

The current Bluesound Node adds to the strengths of its illustrious predecessors. The all important control App is one of the best in the business and connectivity is excellent: Wired or wireless, Bluetooth in and out, HDMI (to connect to your television), plus analogue and digital outputs. There is also the ability to add music to extra rooms with other Bluesound devices.

Like Rega, the Node strength’s are all about rhythm and dynamics. Piano music can be a real test of any Hi-Fi system or component. Debussy’sChildren’s Corner’ can sound splashy and unpleasant on many a system but not here. The subtle harmonics that give depth and resonance to the piano are accurately reproduced and everything flows beautifully.

With the advent of the excellent WiiM series of music streamers, the Node is no longer the cheapest introduction to high quality streaming, but it is still the best value for money in our humble opinion.

Acoustic Energy AE100² Speakers

These attractive little speakers are without doubt the best budget speakers that I have ever heard and can easily rival opposition that may cost twice as much.

With nicely rounded corners and a magnetic grill they have an appealing design. The cabinet is unusual in that it is made of HDF rather than MDF; this allows for thinner walls and bracing, increasing the internal volume and therefore increasing the depth of bass available from the cabinet size.

Perhaps their strongest attribute is with regard to their sound staging abilities; with just a little bit of toe in they can present a broad sound field, with real depth and an excellent central image. They are detailed, with a punchy midrange. The treble and upper midrange err towards brightness but they are by no means fatiguing to listen to. Bruce Springsteen’s57 Channels and Nothing On’ is a foot tapping track and it was delivered in a snappy way and never once sounded harsh or edgy.

Bass depth and extension is in line with most of their peers.

In conclusion

I would argue that each and every one of these components is individually the best in class.

We know from experience that putting two or more excellent products together is by no means always a recipe for success. The key to putting a good system together is all about obtaining good synergy. There might be occasions when putting a system together where every item errs towards dynamics might be over egging the pudding, but no, these all work together perfectly.

The result is a fabulous little system that is a delight to listen to.

Thank you for reading.

Jon and Rob - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below… 


Rega, Acoustic Energy and Bluesound can be found at the following Audio T stores


*All prices, credit terms and interest rates quoted are correct at the time of going to press but may be subject to change. E&OE

DALI iO-12 Headphones - Jack of All Trades?

Introduction

io-12’s sophisticated design

DALI pitch their relatively new iO-12 cans as the only headphones you will ever need, bridging the ground between premium wireless and wired headphones. Whether you're plugged into your Hi-Fi, immersed deep into your vinyl collection, or paired with a smartphone or laptop enjoying music whilst on the move.

So the DALI are offered up as being able to excel in the portable, wireless role, but also in the wired domestic role. This is not necessarily to say that they are up there with the best Sennheiser or Mezze high-end wired offerings, but rather that they have the dual facility of being wired and wireless and they will sound great with both. They will compare favourably against functionally similar portable alternatives around the price-point. Almost a new category of headphone really, majoring both on sound quality and versatility.

The technical stuff

Wirelessly, the iO-12 features AAC, aptX, aptX HD, aptX Adaptive. They also features Active Noise Cancelling (ANC) and also has a USB-C input which sends its signal to the DALI internal DAC (handling up to 24-bit 96kHz files).

iPhone 15 or iPad users with USB charging and output points can jump for joy here as you can get direct access to the full-fat-cream hi-res experience streaming experience from Apple Music, Qobuz and the like. There are two sound profiles when listening in wireless, one is Hi-Fi and the other is Bass.

They also have a purely passive wired-only mode for use with a headphone amplifier, via a 3.5mm stereo jack.

DALI plough their own furrow in many ways with the iO-12 in that there is no app to partner with and control it. They have gone for the no-fuss simplicity of buttons on the right-hand ear cup that toggle noise cancelling on and off, power/pairing on and off, apply bass boost and allow volume and track selection to be controlled. A lovely touch here is that when you press a button a voice through the headphone informs you of the setting. Personally, I prefer this simple but effective approach over an app.

Controls on the right earcup, here with bluetooth engaged

The 35 hours of battery life with noise cancelling and Bluetooth turned on is likely to prove more than sufficient for most users.

DALI has done something quite interesting and unique with the iO-12, they are the first headphones to feature the company’s patented Soft Magnetic Compound (SMC) technology which aims to reduce unwanted distortion and give a clearer. This is a “trickle down “usually found in DALI high end speaker systems.

The internals of the io-12 speaker driver

The speaker units also feature large 50mm drivers utilizing a paper fibre cone, again to help lower distortion.

Quality and comfort

The iO-12 exude the quality and style of a premium product, and the overall colour effect is a sort of mid to dark chocolate brown. Continuing the quality feel, the headband is leather, and the bottom padded section is a soft rubbery material that is well cushioned, and the earpads are sort of rectangular and made from genuine leather. They are quite big, and they are very comfortable, but they do look physically big when you are wearing them.

high quality travelling case

The earpads are nice and deep and easily cover my ears, they are also well padded which leads to good comfort levels all-round, a must for a headphone that is designed for out-and-about daily use. 

The luxury feel, packaging and comfort of the iO-12 is very good indeed and will no doubt add to the pride of ownership.

How do they sound?

To test out the flexibility of these cans I used Bluetooth 5.2 for streaming from my laptop and phone. Watching Foundation on Netflix from the laptop, there was a convincing soundstage, dynamics and most importantly, clarity of voice. A good start.

Music from Qobuz was well presented and nuanced via the iPhone with Bluetooth, and quite immersive, allowing you to get lost in the music with all its ambient clues. It was a rich and detailed experience both inside the house or going for a walk. The Bass setting was good, tilted more towards the lower end, giving substance but not overpoweringly so. The Hi-fi setting gave more detail as expected but in a very convincing way that got to the heart of the performance, the lossy codecs doing a surprisingly good job of transferring musical information.

Listening to film Media via USB/Thunderbolt, using the internal dac

Going back to the laptop I was able to plug the iO-12 directly into the USB3/Thunderbolt ports, thus accessing the in-built DAC in the headset. This was a great experience and a step up in musical clarity and dynamics over Bluetooth.

I also managed to dig out my old Meridian Explorer USB DAC and attach it to the Mac to use the iO-12 in passive mode via the stereo jack. Bingo, this gave an outstanding result as well, with clarity and insight. Another uptick in sound quality was achieved when heard in passive mode via the Naim Uniti Atom HE.

io-12’s passively driven via meridian explored

Using the iO-12 in its tethered modes, either via USB-C or the stereo jack, reveals just how much more detail is available, and how engagingly capable the iO-12 is as a passive headphone. This makes me think that DALI have done some careful work on the shape and engineering of the headset cups, rather than just relying on heavy DSP to get their headphones to sound right. The iO-12 sound good in passive mode, and though they have a warm tilt this doesn’t mask an overall clean sound.

Last but by no means least, the ANC worked well to damp out distracting roar in a noisy environment, Transparency mode works as it should and allows you to hear more of your surroundings as and when needed. Also, the passive isolation is excellent.

Music and Media

Music (thought I would throw in something different this time):

  • Maria Topley Bird – Forever I Wait

  • Lady Blackbird – Black Acid Soul

  • Nine Horses – The Banality of Evil

Other Media Used:

  • Foundation streaming series, Ad Astra film via Apple TV and various podcasts from BBC Sounds

Summary

The DALI iO-12 are one of the best high-end wireless options on the market for out-and-about use, they even do a fantastic job when sitting down and listening at home. They are flexible and produce a great sound regardless of which mode you listen to. They are thoughtfully engineered to give a great sound quality.

Personally, I find the no app ethos refreshing, it is one less thing to worry about or get lost in. In practice the physical sound mode buttons just perform very well indeed and the ANC simply works.

Comfort and premium build quality is superb. Price is a bit more than many wireless alternatives, but so is flexibility.

These are great all-rounders and deserve to be heard. Why not book a demo?

Thank you for reading.

Rob - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below… 


DALI can be found at the following Audio T stores

ProAc Response D2R, an unsung hero?

ProAc are a family owned manufacturer of high quality loudspeakers with over forty years of experience in the industry. Launched 12 years after the Response D2, the D2R incorporates a ribbon tweeter, as opposed to the dome tweeter of the earlier model. Whilst most attention tends to be garnered by the D2’s bigger brother, the D20R, the D2R should not be overlooked.

Construction

On the larger side of normal by modern stand mount standards, this two-way bass reflex design features a 6.5” glass fibre midrange unit with a distinctive copper phase plug. The aforementioned 2.75” ribbon tweeter sits above the driver off axis (to both improve phase alignment and sound staging). They are also front ported, making easier to position them in corners of a room.

The cabinet is constructed from a mixture of marine ply and high-density fibreboard. This mixture of materials is deliberate and helps with ProAc’s philosophy of minimising internal bracing.

The overall fit and finish is of the highest order, with materials of the highest quality used without.

Specifications

The frequency range is 30Hz to 30kHz. The impedance is 8 ohms, and with a quoted sensitivity of 88.5dB. In reality this means that these loudspeakers are not hard to drive and can be well partnered with many good quality amplifiers.

We drove the ProAc D2R with a Rega Elicit amplifier (an excellent match for these speakers), and the superb Innuos Zen providing streaming duties. Placement was 40cm from the back wall with a slight angle of toe in. Tweeters inboard. Standing on high mass stands it was now time to play some tunes:

Listening

One of my favourite artists is Shawn Mullins, and his best album (in my opinion) is Soul’s Core Revival. The acoustic version of Twin Rocks Oregon displays excellent transparency of both guitar and vocals and more so later when his band kicks in. Shawn’s baritone voice is conveyed in convincing style.

Moving onto Lady Blackbird (an artist introduced to me by a great customer called Paul a year ago) 2021’s Black Acid Soul album: For me the standout track is ‘Collage’. Buttery smooth and full of emotion; this track highlights the rich extended bass and deep wide soundstage; the location of each instrument is exact. It also displays the ProAc’s open and natural treble (not harsh as some ribbons can be).

Whilst these speakers do not plumb the bass depths to the same extent as the larger D20s (who go far lower than the plus 2Hz advantage would seem to suggest), the bass is taut and tuneful.

Conclusion

The ProAc D2R are fabulous loudspeakers, detailed and open but not too bright, possessing great imagery and a lovely, natural sounding bass.

These speakers are ideal for a small to midsize room; for someone who wants high end Hi-Fi without over egging the pudding by having too large speakers for the space available. For anyone looking at a high quality stand mounted loudspeaker, these should definitely be on their list for auditioning. Sometimes bigger, is not always better!

If you would like to have a listen please get in touch.

Thank you for reading.

Jon & Rob - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


ProAc can be found at the following Audio T stores

Audio T Oxford contemplate the IsoAcoustics zaZen isolation platforms.

According to Wikipedia (so it’s bound to be correct), “Zazen” is a meditative discipline that is typically the primary practice of the Zen Buddhist tradition, more informally to include all forms of seated Buddhist meditation. IsoAcoustics zaZen platforms are therefore aptly named as their function is to bring a sense of ordered calm to the product that sits upon it, and therefore create an enlightened musical experience.

Rega P10 in situ on a zaZen

Many of our customers consider music to be a meditative and restorative process, regardless of their musical preferences. So, this article is about whether these accessories can bring actual improvements to your existing kit or proposed purchase, and transport you deeper into the music…

What is a zaZen platform?  

Naim Uniti Star looking and sounding good on a Zazen 11

The zaZen is a black lacquered high-density fibreboard platform that has dimensions of 43x38x3cm, with a foot attached underneath at each corner. It comes in two sizes:

· zaZen I - 38mm in height has a weight capacity of just 11.3kg

· zaZen II - 42mm in height can handle up to 18.1kg.

Showing the zaZen 1 and 11 with isolating feet

Underneath the platform is a set of four IsoAcoustics patented isolation feet that are partly recessed into the body of the block. This combination aims to reduce vibration, lower the noise floor, and increase available information heading towards your ears. The feet act as isolation, preventing most ground-based vibrations from passing through to the platform itself, thus reducing the potential feedback from loudspeakers back into your system.

As well as being designed for noise and vibration elimination the zaZen’s actually look pretty cool under most equipment!

So, how do they how fair in practice?

We tested both the Isolation Platforms across a range of equipment. What we found was:

Low frequencies – Turntables are especially well catered for by the zaZen; bass presented previously as rounded instead becomes more controlled, it remains deep – but you get greater insight into the bass shape and depth and subtlety of playing; it is faster with more impact, without reduction in mass.

Valve equipment - The zaZen imparts an enhanced mid-range and high-frequency clarity thanks to the reduction of microphony in the valves from the speakers. Bass is tighter as mentioned above.

Generally - it’s surprising just how many products do benefit from that vibration reduction, streamers in particular seem to benefit from the sense of space brought by the platforms, along with headphone amps, phono stages and solid-state amplification in general. The zaZens do bestow a sense of calm upon all the products they support, the lower noise floor allowing important aspects like voice (midrange), detail, interplay, and soundstage to become more intelligible.

A cumulative effect - There is a positive additive effect of two or more platforms, so you can add more as you go along and get an increasingly more insightful sound.

Summary

IsoAcoustics zaZen range help reduce ground-borne vibration and give you a significantly greater insight into your music. Clearly a lot of engineering nous and expertise has gone into these lucid sounding products. They do exactly as advertised and have a very positive effect.

They are simple to use - you put the zaZen on a shelf, put a product on the zaZen. Aside from some care in selecting the right model for the weight of the product, the job is done.

Visually and sonically, they complement many existing equipment racks and the equipment that sits on them; or if you are the kind of person that loves good sound but finds high-performance audio furniture at odds with the design ethos of your home, a zaZen under each device on your domestic furniture make it sound a great deal better.

What’s not to like?

Not sure what IsoAcoustic product is best for your equipment? Use the handy “Product Selection WizardHere.

Thank you for reading.

Rob & Jon.

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


DALI Katch G2 - a minimalist marvel.

Dali Katch G2

We don’t keep many portable Bluetooth speakers in stock here at Audio T Oxford; in-fact, there is only one we often recommend... the DALI Katch.

Don’t mistake this as us giving our customers little or no choice, we are just convinced that it is the very best product available, and here is why…

Design

It is a stunning piece of industrial design, modern and stylish and easy to carry (thanks to the inclusion of a soft leather strap) or pack. The build is of the highest quality, with a sturdy metal case housing, where competitors would opt for cheap plastic, not to mention the smart and easy-to-use controls.

Available in three tasteful finishes; Caramel White (my favourite), Chilly Blue and Iron Black. Just looking at it instils a pride of ownership, reinforced by its tactile looks and feel.

Technical Stuff

The Katch measures a compact 138mm x 268 x 47 (H x W x D) and inside this box are no less than six drivers (two tweeters, two mid / bass units and two passive bass units). These are powered by a 2 x 25W digital amplifier. It utilises Bluetooth 5 which allows for APTX and APTX HD/ AAC. A Mini-Jack input is incorporated, as is a USB port, which can also be used as a charger.

Top view with power button

The battery will last for a class leading 30 hours (though this depends on musical content and volume). A full battery charge will take approximately two hours.

The specification claims (considering the compact dimensions) a bass response to 49Hz and a 95dB SPL. I couldn’t actually believe it would go that low, but lo and behold, when I played a 50Hz test tone through it the bass was indeed there. The volume had dropped a little bit but I couldn’t deny that it was indeed making itself felt. I didn’t check the SPL claim, but it certainly goes more than loud enough for the majority of ears.

5O Hz test tone

Sound 

Of course, whilst looking good is an advantage, it needs to back this appearance up sonically.

So how does it perform in the real world? The answer is astonishingly well. The DALI allows for either a ‘clean’ or ‘warm’ presentation. I much prefer the ‘clean’. Listening to Shelby Lynne’s gorgeous cover of Dusty Springfields ‘Just a Little Lovin’, the sound is truly engaging and refined.

 

Moving on to Lou Reeds ‘Walk on the Wild Side’ shows just how good the Katch is rhythmically, it times really well.

Just for a laugh I put on ‘Hey Now’ by London Grammar. If you have ever listened to this track, it has the most stupendous bass; bass that can make some seriously capable systems struggle. This turned out to be most interesting, because rather than hearing the distortion that I expected, the Katch neatly filtered off the very lowest registers and gave an assured, if not quite full range, performance.

Want Stereo?

The DALI also has another trick up its sleeve: if you purchase two of them, you can create a stereo pair: So, for the travelling audiophile or for space-conscious home use, this could be portable Nirvana.

Conclusion

The Katch is at the more expensive end of the compact portable Bluetooth speaker spectrum, but it is most definitely worth the outlay. Prepare to be surprised!

If you are fishing for a high-quality compact Bluetooth speaker, the Katch can be caught (groan) at any Audio T branch.

Thank you for reading.

Jon and Rob.

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


Introducing Corinium from Acoustic Energy

Our customer, Martin, is a long-time user of Acoustic Energy. He has a dedicated home cinema setup with the aforementioned brand. When he came to visit us, he was looking to replace his Hi-Fi speakers at the time, which were the Acoustic Energy AE520. We knew exactly what he was after…

Martin’s trust acoustic energy ae520

Serendipity can be a good thing

Martin was fortunate enough to hear the Coronium at the same time that we did, and we were lucky enough to be joined by Mat Spandl, Managing Director and Chief Designer of Acoustic Energy and Paul Burnip (Acoustic Energy Sales Manager). The two had come down specially to demonstrate a pre-production pair of the long anticipated speakers and as Martin had already indicated to us that he was keen to listen to a pair, the timing worked out well for everyone. Plus, Acoustic Energy were more than happy to have the opinion from an existing fan and user of the brand.

Long story short

We loved the Coronium, as did Martin. So much so that he placed an order straight away and thus ordered the very first pair in the UK.

Three months later, the fantastic Tectona finish loudspeakers were ready for delivery; Paul and James (AE’s Industrial Designer) personally delivered the speakers and helped with the setup. Despite the fact that the speakers were brand new and still cold to the touch from a chilly December day spent in the back of the delivery vehicle, they instantly sounded fabulous in Martin’s room. During our short time there they really began to loosen up. With a hundred hours more under their belt, they will sound truly amazing!

After a couple of cups of coffee, during which time the tunes were played, James explained to Martin and myself the philosophy behind and the benefits of the Coroniums.

The words of Mat Spandl and the design philosophy

With Corinium we believe we've built something which goes to the next level. This is a speaker which not only reproduces music, it produces a musical performance, it tells you about the musical intention of the artist, you hear the subtle inflections, the spaces between notes that separate the 'me too' from the really great. It can bring new meaning to familiar material, reinterpreting your favourite passages and bringing new life to your favourite old tracks.

The Coronium’s are a philosophical design departure from previous Acoustic Energy speakers. Their profile is curved, to reduce standing waves. The cabinet is tilted for time alignment and is made from a composite of materials and is up to 50mm thick.

A synthetic polyester soft dome tweeter replaces the 500 series carbon fibre designs, because it is lighter. Brand new carbon fibre midrange and bass units complete the array, with the 120mm midrange covering five of the eight available octaves.

What this means in reality, is that in comparison to the AE520, everything has improved: The treble is more open, the midrange more lucid and detailed, bass quality is better (especially at lower listening levels), the speakers are substantially faster and dynamic.

 Finish options are:

  • Tectona wood (particularly gorgeous).

  • Matt white.

  • Matt black.

  • Metallic British racing green.

Our colleagues at Portsmouth have already done an in-depth review of the Coronium, which you can read here.

Job done

The Coronium are truly high-end speakers available at a very reasonable price - and they deserve to be heard.

We left Martin a happy man and I hope he has a fantastic Christmas listening to his favourite songs.

Thanks for reading.

Rob & Jon - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


The Audio Note (UK) TT - Two Deluxe Turntable now at Audio T Oxford

Engineering for musical excellence

Audio Note (UK) is best known for its extensive range of valve amplifiers and digital products, but it has also been producing turntables and vinyl accessories for many years. The current range consists of three turntables, three tonearms and a range of moving-magnet and moving-coil cartridges.

The TT2 Deluxe showing its two SYNCHRONISED motors, seen through the ACRYLIC platter

Featured here is the middle of the range TT- Two Deluxe version (available with a selection of real wood veneers), Arm Three/11 and IQI moving-magnet cartridge, supported by the optional TTOne/Two power supply.

Plinth

The unit is a full plinth-type design with a high-quality aluminium sub-chassis with optimised three-point suspension geometry. Where the TT-Two Deluxe differs from many other record decks is in the use of a pair of AC motors to spin the acrylic platter, instead of one. The two opposed AC motors offer twice the torque to the low-mass acrylic platter and also have the benefit of further stabilising the suspension. This is a difficult engineering process because if there is any variation in the motors, instead of improving playback, they will cause oscillation. So, Audio Note pair-match every set of motors to ensure that they behave exactly the same, whilst paying equally close attention to the chassis design, ensuring that the two work in harmony.

Tonearm

The Arm Three/II is situated at the top of the Audio Note range and is a very solid and easy-to-set up tonearm, specifically designed by Audio Note. The tonearm cable is UK–Silver Litz inside the tube and AN-Vx silver from the base to the AN GP RCA plugs. The arm itself is machined from a solid aluminium billet, tapered. The arm’s bearing design is described as “captured unipivot” due to its unique vertical and horizontal bearings. This 9″ arm complies with the original Rega arm board configuration, which makes it a compelling potential choice for turntables from other brands.

The excellent Arm three/11 with iq1 mm cartridge

Cartridge

The IQ1 cartridge is part of Audio Note’s moving-magnet range and is essentially an uprated Goldring design that uses higher-quality copper coils and a diamond stylus to obtain a much-improved performance over the stock model. Audio Note phono stages are generally moving-magnet designs, and the IQ series precludes the need for an external step-up transformer to obtain the required levels of gain.

High standard

The TT-Two Deluxe has an excellent overall finish and is of a very high standard. The TT-Two is not an especially heavy design, but its construction and attention to detail is outstanding. The unit is also supplied with a Perspex lid, which is a welcome addition.

On start up the TT-Two is impressively quiet. The Arm 3 cueing action and the general arm movement suggests that the engineering is excellent. Altogether, jewel like engineering precision and this shows when playing a record.

The magic starts

As soons as you put on your favourite record, the TT-Two immediately makes a very persuasive case for itself. The first impression is of an extremely low-noise floor. There is almost no background noise at any volume level and no hum whatsoever. The two motors allow the platter to spin up to speed almost instantly and pitch stability is rock solid.

Sonically, the TT-Two is a muscular and powerful performer. It manages to sound effortless across a wide variety of music and is possessed of excellent pace and timing. Fast paced recordings are delivered with real urgency, underpinned with a tight and potent bass that has shape, insight and just the right amount of depth. Music sounds full, natural and layered – dynamically it starts and stops with a real poise that underpins the performance, no doubt helped by the twin matched motors.

Audio Note has developed a unique skill set, based on the approach that the equipment should serve the music – here it shows, where voices sound very real and musical instruments sound more like live instruments. The combination of deck, arm, cartridge, and power supply combine to give an open sound with accurate tonality and startling acuity.

You get absolutely all the music in both a technical and emotional sense, to totally backup Audio Note’s banner statement “Music’s Finest Conductor”.

Summary

The TT-Two Deluxe is a truly fine turntable and one that impressed us considerably. It sounds outstanding an all Audio Note system and yet it will also work equally well outside of this.

An exceptional way to take a deep dive into your record collection and a considerable temptation to buy more vinyl!

However, these are just words… Audio Note systems really deserve to be heard and experienced. Why not hear it for yourself and contact us in Oxford to arrange a demonstration?

Thanks for reading.

Rob & Jon - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


Audio Note can be found at the following Audio T stores:

The Audio Note CD 2.1x/II - A CD Player that Elevates the Red Book Standard

There are some people that live in the belief that CD is a dead format, whilst others are constantly building on their treasured collections and want to find a replacement should their faithful player go down and cannot be repaired. If you’re anything like myself you will use streaming services to decide whether you like the music before committing to buying the CD or vinyl.

Many who still buy CDs will often rip their purchases to a server (as do I). Personally, I haven’t used a CD player at home for some time. However, I have been fortunate enough to have access to some significantly good players, but somehow something was missing for me; whilst sometimes impressive, the playback didn’t sound “real” and lacked musical flow.

Yet another CD Player, right?

Audio Note (UK) CD 2.1x/II

The Audio Note approach to CD Players is somewhat different. Importantly, they have an axiom in the design and development of all their equipment, that it must serve the music. The Brighton based manufacturer take Red Book CD players very seriously as a music source, believing they are still the best home digital source.

What’s it all about then?

The CD 2.1x/II Red Book CD Player is the second in a ladder of the five Red Book CD players offered by Audio Note. As usual they’ve applied their vast wealth of experience and research, to produce their own take on how CD play should best be implemented.

So, what is the recipe that Audio Note use? 

Important, careful voicing and having a deep understanding of what is going on 'under the hood', using minimal processing, no oversampling and no digital or analogue filtering, to achieve a very articulate voice, the fundamental reason why many tracks flow so well from their products.

The CD 2.1x/II is essentially a component upgraded version of the CD1.1x, equipped with better custom produced Audio Note parts. The CD 2.1x/II was engineered around an economical version of Philips DAC IC, the TDA1543 (which dates back to the 1980s), and the Philips L1210 CD mechanism. The output stage is designed around the very musical 6111WA miniature double triode (valve), and an improved selection of bespoke components are used to raise the CD2.1x/II's specification; Audio Note 0.5W and 1W tantalum resistors, AN standard electrolytic capacitors, and AN copper foil coupling capacitors.

So, 16bit/44 hz CD replay, done thoughtfully and properly. This is how Audio Note view the equipment serving the music – good engineering and materials selection, thinking outside the box and applying learned solutions, and critical listening in voicing the product, to sound well rounded, insightful, and musical and as close to real life as possible. Audio Note’s intention is to extract even greater degrees of information and quality from Red Book CD. 

What does it actually sound like? 

Even early in our listening it was apparent that the Audio Note CD 2.1x/II Red Book CD player was musical and natural sounding. When it became fully run in we realised that there is a lot more music waiting to be discovered in those Red Book CDs.  

We transitioned from just hearing the CD sound into listening to the music instead, now receiving the emotional sweep of the music in all its complexity, without any sign of sterility. A surprising musical journey and one that re-defined expectations. With the CD2.1x/11 the music was more real, everything had a proper shape and timbre, insight into musical interplay became apparent, as did dynamic contrasts. The music had more feeling, emotion, and reality – with immense listening satisfaction and an analogue naturalness.

We covered a wide range of genres of music including Dub, Americana, Rock and Classical.

It appears to be the case that there was nothing really wrong with CD all along, but sometimes CD players are not all they could be. Audio Note have found the magic. 

Summary 

The CD 2.1x/II is an exceptionally good player in its own right and deserves to be heard, with any equipment.

It really comes into its own in a full Audio Note System, in this case comprising the Otto Phono SE Signature SE or Cobra valve amps, and the ANK-/SPe speakers. A wonderful and immersive way to listen to music.

 Available for demonstration now, come and have a listen!

Thanks for reading.

Rob & Jon - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


Audio Note can be found at the following Audio T stores:

 

First look at the all-new Ruark R410

Ruark have a long and successful history of producing high quality all in one systems: After a three-year gestation period (which exceeds even that of an African elephant); the Ruark R410 is a new addition to the Ruark line up. I would say that it was the latest addition but the even newer RS1 Subwoofer (available as an upgrade to all Ruark products) has since taken that spot…

What do we have here?

The design of the R410 can only be described as absolutely stunning; a modern take on 70’s styling, with a certain touch of Bang & Olufsen about it. It is certainly a big step forward from the Ruark products of old. I would imagine that owning R410 is likely to garner a lot of compliments from your friends and neighbours! 

Features.

Available in two finishes (walnut and grey) and engineered from sustainable wood veneer, featuring handcrafted grilles, with a portrait digital display designed to imitate a smartphone. 

The solidly built Bluetooth remote feels great in the hand and mimics the Roto Dial controller that is built into the top surface of the R410. The R410 is similar in size to the all-conquering Naim Mu-So 2nd Gen but with a very different aesthetic. 

Internally a 120 wpc class D amplifier drives the speakers in the cabinet, these incorporate new design mid / bass units and feature silk tweeters (shared with the awesome Ruark MR1’s). The frequency range spans 35Hz to 22kHz. 

The R410 will likely be used most often as a streamer and in this regard, it is well equipped; with inbuilt Spotify Connect and Tidal Connect. Apple Airplay, Chromecast and Bluetooth are also available, as is the ability to browse and stream from other devices on your network. FM / DAB and DAB+ and internet radio are also included.

Physical connectivity has most definitely not been forgotten; optical, line level, turntable MM preamp, USB inputs plus HDMI (e)ARC connections are all present. 

What isn’t provided? Not much to be honest: Ruark have moved away from using a dedicated Phone app in favour of casting and I can see why that would make sense for them. Roon is also not an option. Lastly, there is no headphone socket, not that you often find them on this sort of product.

So how does it sound?

After some experimentation we settled on the ‘Stereo +’ DSP setting and then put it head to head with the Naim Mu-So. 

Naim Mu-So 2 and Ruark R410

Playing ‘Walk on the wild side’ by Lou Reed, the Naim definitely exhibited more bass heft and extension with the iconic walking double bass but the Ruark was the more open, detailed and light of foot and whilst the bass did not have quite as great depth, it was certainly more tuneful. The Ruark also had the ability to widen the soundstage outside of the confines of the cabinet (something that most one box solutions are incapable of). 

Listening to the fantastic recording of ‘Just a little lovin’ by Shelby Lynne on Tidal, the two systems really were chalk and cheese. The Naim favouring a warmer, darker presentation, whilst the Ruark presented a more airy view of the recording. We also thought that the Ruark has the edge with the vocals.

Conclusions.

The Naim Mu-So has always been the previous “shoe in” as the best in class, now with the arrival of the Ruark R410 has the status quo changed?

Which is better will come down to individual taste, but as examples of luxury integrated music solutions it’s now great to have that choice!

Available for demonstration now, come and have a listen!

Thanks for reading.

Rob & Jon - Audio T Oxford 

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


The ProAc Speaker Shootout - Response DT8 vs the Response D20R

What do we have here?

Gorgeous craftsmanship - the dt8 on the left and the D20r on the right

On the face of it we have two similarly sized boxes, at different price points, with different driver technology.

The build quality of both is excellent, as we’ve come to expect from ProAc. That is solid, blessed with crisp edges and with superb quality wood veneers, available in a range of finishes to enhance any home. 

So, how do they differ?

The ProAc Response DT8 

The DT 8 is the entry point for ProAc floor standers. The speaker cabinets are cleverly designed, heavily braced, and damped to give the drive units a solid, low-noise foundation to work from.

The drive units are arranged in what is known as a D’appolito design, with two mid bass drivers one each side of the single dome tweeter. Treble is provided by a SEAS tweeter, manufactured to ProAc’s specification.

However, ProAc has approached the D’appolito format differently from most by using different mid bass drivers working in tandem, to get the best of all worlds - a polypropylene cone in the top unit shoots for natural mids, and a stiff poly mica diaphragm in the lower to deliver powerful-but-articulate bass. This is further supported by a ported cabinet with the bass loaded via side vents at the base of the speaker, making the speakers less fussy about room positioning than conventional rear-firing ported alternatives tend to be, but they will need some space around them. 

As a result, this speaker delivers ProAc’s design criteria of an exceptional extended low frequency response along with their signature natural sounding midrange and pinpoint imagery.

Despite a nominal impedance of just 4ohms, the DT8 aren’t overly demanding of an amplifier. They’re pretty sensitive at 90dB, so there shouldn’t be an issue getting to high volume levels but, they need to be driven by an amplifier with good grip, control, and dynamics, such as the Rega Elicit, or even better, a Naim Supernait 3 or Rega Aethos.

ProAc Response D20R 

The D20R is the second up entry point in the Response range, after the DT8. It carries a similar sized cabinet but uses a quite different design philosophy. 

Here there is a single bass/midrange driver, featuring a glass fibre weave cone, Excel magnet system and a unique acrylic damping phase plug. The speaker here also features the optional ProAc ribbon tweeter, which is lighter than human hair, along with a rear chamber damping and alnico magnet. As with the DT8 this is further supported by a ported cabinet with the bass loaded via side vents at the base of the speaker.  

All this is directed to meet the design criteria of an open and expansive midrange, with substantial bass and sweet and detailed high frequencies.

Again, they are pretty sensitive at 88dB, so there shouldn’t be an issue getting to high volume levels but, they need to be driven by an amplifier with good grip, control, and dynamics, such as the Naim Supernait 3 or Rega Aethos. Even better something like the Naim NSC 222 Streaming Pre-Amplifier and matching NAP 250 power amplifier.

How do they sound? 

In our demonstration room, both were positioned about 0.5 metres from the rear wall and well away from the sidewalls, angled slightly towards the listening position to focus the stereo imaging.

We tested both with a Rega P10 record deck and Apheta 3 MC cartridge, Aria phono stage, Aethos integrated amplifier and Innuos Zen Mini streamer. Both speakers were in their element with this system as the amplifier provided with them with really good dynamic power and vice like control.

The demo room - The DT8’s on the end of the rega system showing great dynamics and finesse

Both speakers can be described as agile, articulate with expressive dynamics, with an insightful midrange and a taught punchy bass. Exactly what your music needs. Where they differ is that the DT8 was more upfront, but still delivers the essence of the music. The DT8s are exciting, particularly with rock and dance music. The D20R also delivers all of this but is more articulate, with greater insight, the instruments and voices having more shape and expressed micro-dynamics, so that you can delve deeper into the performance. The bottom end is tight and deep. Overall, a richer experience surely helped by the fantastic ribbon tweeter and wider soundstage.

You just get more.

Next the D20’s in situ - looking and sounding great

Conclusion 

Both promise long-term listening pleasure, but they occupy different price points. In this context you would expect the D20R to be better overall, but the DT8 is good in its own right. So, there we have it. The more time we spend with the Response range, the more we like what they do. 

Important Notice

On Saturday 16th September in the morning and afternoon we are holding a ProAc event at our Oxford store. We’d love you to come along. Details here

 If you would like to listen to ProAc loudspeakers, please get in touch. We think you will be impressed, just like we are. We have a wealth of experience. We are all about the music and working with you to get the result you want.

What do you think of this kit? Would you like to listen to it? If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

Thanks for reading.

Rob & Jon - Audio T Oxford 

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


ProAc can be found at the following Audio T stores -

It all started with a love of Dynaudio…

This month’s blog is something a bit different from our usual fare. Here we explore the front to back process, interaction, relationships and issues involved in a successful and happy customer transaction. Our customer, Rob, has contributed to this article and given his own input on how it went from his point of view… 

Introductions 

Rob got in touch with us at Audio T Oxford as he had recently moved into a new house and knew we are an authorised Dynaudio dealer. He wanted to discuss options on the best system he could have (active or passive), all whilst incorporating his enthusiasm for Dynaudio products.

The Brief and Its Development

High ceiling space - addressed by tuning in The focus 50’s and REL s/512’s

From our initial discussion we qualified Rob’s needs as these are key to a happy customer. We discussed his musical tastes, current music library and his passion for streaming and exploration of new music.

Something that a lot of people underestimate is the discussion around his physical home environment, room dimensions, technical requirements, and any challenges to be overcome to get a great system, matched to his home; both in terms of décor and sonic excellence. Within this we had a clear challenge to drive what is a very large horizontal and vertical space.

We started with a menu of choices and, as luck would have it, we had a Dynaudio Event at Audio T Oxford on 9th November 2022, which Rob attended. The intention was to enable him to get some ears-on experience of the active Dynaudio Focus 50’s that he had already extensively researched on paper, as well as ask some questions and get feedback from the Dynaudio experts on hand. We could then start to establish and formulate a closer approximation of what he was looking for.

Working within the context of a demonstration and/or musical event is one thing, but Rob correctly decided that he needed some time on his own with the system so that he could explore its technical and flexibility of settings, the DSP options and whether he could get an emotional connection with the music and sound quality of the system.

We arranged for Rob to come back in-store and set-up the Focus 50’s with a Innuos Zen Mini MKIII acting as a Roon Core. He spent most of the morning listening to a variety of music, some from his personal collection and some new, courtesy of Roon’s “deep dive” AI suggesting suitable music alternatives. 

The Order

To cut a long story short, Rob placed his order that very same day for a system comprising the Dynaudio Focus 50s, two REL S/812 subwoofers (to be connected via wireless Airships), and an Innuos Zen Mini MKIII (2TB SSD) as a Roon platform and to enable him to download his considerable music collection. The large twin subs were required to shift the air and engage with what is a very large space. 

The décor requirement was achieved by ordering light colours with the ability to hide equipment away in a cupboard where necessary, and with wireless sub connections. The Wireless Speaker and Audio Association (WiSA) connection between the Focus 50s adding to the minimalist look.  

view From the drivers seat - Innuos Zen Mini s and Airship Senders in the white cupboard. WISA wireless connection between the speakers ……..now Unleash the music!

Rob was also interested in a WiSA connection to his television and longer-term enabling DIRAC Live room tuning, both of which can be accomplished through the Focus 50’s. 

Planning & Installation 

Like any project, the idea is to bring things together at the right time, make sure the customer, all the team members and external experts are in the communications loop, test all assumptions are correct and build in a margin for unexpected surprises through consistent due diligence. The aim of all this is to get things lined up and tested so that they can be right first time, wherever possible. All of this was particularly important as we had the skill, but I personally had no actual previous experience of bringing together such a diverse and flexible system involving this relatively new form of technology.

The installation team comprised of Bill Livingston from Dynaudio, our own Kevin Starkie (Audio T Sales and Marketing Director) and Rob from our Oxford store. The installation took the best part of a morning, which included setting up the Focus 50s for room positioning (left master speaker in corner, right in open space), installing, and configuring the Innuos Zen for Roon and installing the two wireless subs and then tuning them to their local environment. And last, but by no means least, getting the music into the room!

Finished Installation - birds eye view from the upper gallery. showing the positioning of the two REL s/812 subs.

Robs Customer Comments

Rob has now had the system for a few months, and these are his comments on his musical and hi-fi journey, how he found the experience of developing and installing the system, and how it fits his lifestyle and sonic requirements…  

1. Can you give us some details of your various music and AV systems and musical journey?  

Started way back in 1979 when my grandparents bought me a radio. I discovered Radio 1 and was hooked! There are too many components to mention but my first ‘proper’ amp was a Rotel receiver with a beautiful analogue radio dial. My first ‘proper’ record player was a Dual CS505. Then university beckoned so it was a real mish-mash of hi-fi. Much later, when I could afford it! I bought second hand Dynaudio Audience 62 speakers, which were already 10 years old but sounded great. Next was a Naim XS2 amp and the synergy was fabulous. I was hooked! My love of Dynaudio has existed ever since. I have always been intrigued by active speakers, to me it just makes sense that the manufacturer finds the best synergy between amp and speaker and does it all for you. When Dynaudio released the Focus series it was a bit of a ‘no brainer’ as it also incorporates streaming capability, Dirac Live, sub-out and is Roon Ready.  

2. What range of music do you like and how has it developed? 

Electronic music will always be my mainstay. My mum used to listen to Vangelis when I was very young and it has clearly influenced me ever since. I still rate Vangelis as an early pioneer of electronic music alongside of course Kraftwerk, Tangerine Dream and the like. Now my musical taste is very broad, from jazz (big fan) to classical and almost everything in between. So a tough ask for any system to get them all right!  

3. In what way is music important for you? 

In so many ways. I will pretty much always have music playing and definitely whilst travelling. I’d be lost without my headphones as I travel a lot! But I am also a big fan of just sitting down and listening to an album, from start to finish and uninterrupted. I think this has been lost to a certain extent and would advise anyone to give it a go. I am a huge fan of Classic Album Sundays for this very reason, so check it out.  

4. What did you think about the process we developed to help define your system? 

I think the key part was being able to meet Otto and Bill from Dynaudio and with Rob’s input it became clear that my living room would need to ‘go large’! It is a huge space, so we wanted to ensure we could adequately fill it with sounds, hence the Focus 50s and two REL S/812 subs. 

5. How did you find the support throughout?

Exemplary. To have all these experts on hand to discuss requirements and set up was extraordinary, and I know I was very fortunate to have the Dynaudio team on hand. On the day of installation, I had Rob, Kevin and Bill all setting up the system in my living room, you cannot wish for a better service.

6. How happy are you with your end system? 

In short – Very. As this is a new house it has taken a long time to complete the furnishings, which I knew would also make a difference to the sound, in a good way. Now that this is finally complete, I can tweak and find the best balance. Next steps will be sound treatment, and then Dirac Live on the Dynaudio which is a fabulous feature to include. I was new to Roon too and I love it. It has so much functionality and has introduced me to new acts and artists, and all in a beautiful interface on a tablet device.  

7. What could we have done better? 

Nothing of note 

8. Any other comments? 

Just to say a huge thanks to all involved with this setup at Audio T and Dynaudio.

Summary

So, thanks go to Rob for trusting us to do this system and for agreeing to and contributing to this article. We know how busy he is and we really appreciate the time he has given from his very hectic schedule. 

Also, thanks to Bill and Otto from Dynaudio for their close support and experience, and to REL and Innuos for their technical support and insight. 

If you would like to know more about these products and how they work together, or for anything else, why not give us a call at the Oxford Store? We will be happy to work with you to get the outcome you are looking for.  

Thanks for reading.

Rob & Jon - Audio T Oxford 

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


Dynaudio can be found at the following Audio T stores

· BRIGHTON

· BRISTOL

· CHELTENHAM

· MANCHESTER

· ONLINE STORE

· OXFORD

· PORTSMOUTH

· READING

· SOUTHAMPTON

· SWANSEA

· SWINDON


Innuos can be found at the following Audio T stores

· BRISTOL

· CARDIFF

· CHELTENHAM

· MANCHESTER

· ONLINE STORE

· OXFORD

· PORTSMOUTH

· READING

· SOUTHAMPTON

· SWANSEA

· SWINDON

REL can be found at the following Audio T stores

· BRIGHTON

· BRISTOL

· CHELTENHAM

· MANCHESTER

· OXFORD

· PORTSMOUTH

· SOUTHAMPTON

· SWANSEA

· SWINDON

· ONLINE STORE

· READING

· CARDIFF


PLEASE NOTE: Both Roon and DIRAC software require a personal direct customer purchase, subscription and licence. In the case of DIRAC we recommend the use of a certified DIRAC installer which may include a separate fee. Only Roon was used in this install, DIRAC is an option that the customer may wish to undertake in the future.   

ProAc... A welcome new addition to Audio T Oxford

A proac family photo

Some background on ProAc

ProAc are a legendary British speaker manufacturer who combine a strong heritage and legacy with the latest materials and technologies. The company is a tightly knit family run operation; making loudspeakers that are revered by hi-fi enthusiasts, sound engineers, music producers and music lovers worldwide.

Today, ProAc produce high-quality and internationally renowned loudspeakers that embody a meticulous approach to both sonic design along with superb build quality.

The founder of ProAc (originally Celef) was a young engineer called Stewart Tyler. His initial aim was to build a compact speaker that possessed extended high frequencies and low bass extension, but also one that minimised cabinet colouration and would offer a natural midrange. Over time, Stuart grew the business, with his parents joining him to help run the new factory.

It was successful, but Stewart’s excellent engineering brain, along with new advances in technologies, drove him on to want to produce superior products. These new designs were so far removed from the older Celef models that Stewart decided they should be sold under a different brand name, and so they became ProAc (Professional Acoustics).

Tragically, Stewart died in 2021 but his legacy lives on though the fantastic range of speakers that ProAc currently produce.

What do we think about ProAc? 

The minute you unbox a pair of ProAc speakers you are immediately aware of the quality of finish of the cabinets, how well they are put together, and the quality of the engineering. So, a big tick in the pride of ownership box.

In addition to a definitive pride of ownership, the sound quality is outstanding; all possess a sweet treble, clear midrange and generous, even bass. They are dynamic, with a rightness and balance that allows you just to listen into the music. What could be better than that?

The speakers are generally a pretty easy drive and tend not to be overly fussy about room positioning, which can often be a bonus. Ten finishes are available, so it is easy to match to any room decor.

Currently, we are featuring the Tablette 10 Signature stand mount, Response DT8 and Response D20R floorstanders.

How do they sound? 

Here is a brief description of what we found playing these speakers, using the highly capable Rega Elicit amplifier and Saturn CD player combination. We also mixed things up with a Rega Planar 6 with Ania MC cartridge for our analogue delights and a Innuos Zen Mini for streaming.

The Response D20R - We would say that the D20R holds a particular sweet spot for us. Priced at £3825* (for most finishes), they are such a great all-rounder; so much so that it is really hard to pick any faults. The sound is warm, large, non-fatiguing, but detailed and dynamic. They possess a sweet and nuanced midrange and delicate treble (courtesy of the fabulous ribbon tweeter).

The Response D20 R in Oak

The Response DT8 – these floorstanders convey a great deal of the ProAc goodness, but in a more affordable package (from £2825.00 dependent on finish). They are contenders in their own right.

The Response DT8 in striking walnut

The Tablette 10 Signature – these small speakers are BBC LS3/5A size but much more developed. They work well on good quality stands and even up against the wall. The ProAc signature sound is there, with a surprisingly large soundstage and bass for such a small speaker. Ideal for smaller rooms and/or second systems (from £ 1905.00 dependent on finish).

The amazing Tablette 10 signature in Mahogany

Despite their professional history, ProAc speakers do not suffer some of the issues that many other monitor heritage speakers do; that of being incredibly analytical but so often sounding sterile and soulless. If you want to be truly involved in the recording and depth of musical experience, ProAc’s may well be just right for you.

Our Music

Shelby Lynn – Just a Little Loving (Streaming) 

The title track from Shelby Lynn album: The sound immerses the listener in an emotional and intimate way. It is such a lush, sweet experience. To us this music is all about emotion, and it’s hard not to be moved. If you haven’t heard this album, you really must: it is a beautiful recording.

Neil Cowley Trio – Spacebound Apes (Vinyl)

This whole album is a fine and expansive Jazz/electronic epic, that deserves playing all the way through. Wide dynamic range and swirling special effects, atmospheric with surprising deft and moving touches.

Late Night Tales Presents Version Exclusion – Curated by Don Letts (CD)

This collection presents a wide catalogue of Reggae and Dub and definitive mixes. A real joy to listen to on this system.

Summary 

If you would like to listen to ProAc loudspeakers, please get in touch. We think you will be impressed, just like we are. We have a wealth of experience. We are all about the music and working with you to get the result you want.

What do you think of this kit? Would you like to listen to it? If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

Thanks for reading.

Rob & Jon - Audio T Oxford 

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


ProAc can be found at the following Audio T stores -


*All prices, credit terms and interest rates quoted are correct at the time of going to press but may be subject to change. E&OE

And now for something a bit different... Introducing SPL Audio

Every now and then we get the opportunity to get a hands on experience and listen to some audio equipment that is a bit out of the ordinary. Here at Audio T Oxford we recently had this opportunity via the fine folk at SCV Distribution.

They asked us if we could arrange a demonstration for a local customer who was interested in putting some SPL Audio equipment into his domestic hi-fi, to drive his existing active speakers. We agreed happily.

For those of you not in the know, SPL Audio is a well known brand in the pro audio world. Also known as Sound Performance Lab, they are a prestigious manufacturer of studio equipment and hi-fi, founded in Germany in 1983.

What do we have here?

SPL Elector Pure Analogue Preamplifier

Lovely VU meters on the Elector!

The SPL Elector Pure Analogue Preamplifier features 6 analogue inputs, three of which are balanced with 3-pin XLR connectors and marker LED indicators. On the reverse of the unit are two sets of outputs, one set direct and one dedicated for preamp routing, again via balanced XLRs. The Elector is also furnished with two exceptionally cool mechanical VU meters at the front!


SPL Performer s1200 Stereo Power Amplifier

the POWERFUL yet compact Performer Power Amp

SPL Performer s1200 Stereo Power Amplifier – a pure analogue power amp offering a clean 520 watts per side at 4 ohms (550W at 2 ohms), with 6 cooling fans! Although the customer is using active speakers at home, the power amp was required for this demonstration as we didn’t have any active speakers at the time.


 SPL Phonos RIAA Phono Preamplifier

the phonos MM/mc pre-amp

SPL Phonos RIAA Phono Preamplifier - catering for both MM and MC cartridges and a variety of loadings. All the equipment features SPL’s 120 Volt technology to deliver a wide dynamic range.


Our Impressions

Not only is this stuff built to practical pro-audio standards, it is also well made, beautifully designed and would grace any home listening room. Available in red, black, and silver finishes, with a mix and match faceplate on the power amp. You can also adapt the Elector to operate with a “One for All” programmable remote! No superfluous features, everything counts.

When we set up the system for the demo we were pleasantly surprised by a number of things: 

  • How cool it all looked (those colours and VU meters again!)

  • How quiet it runs.

  • How well the small form factor and design fitted into a domestic situation.

Listening

This kit cuts the sonic mustard in a domestic environment, being exceptionally dynamic and insightful, with a delivery that is realistically weighty and powerful. You could spend a lot of time exploring music with this system and that is a good sign

We listened to some testing and dynamic music including Charles Mingus, London Grammar and Burnt Friedman.

The Demonstration

Our customer Mike demonstrated this system with an analogue front end, as he has a large vinyl collection, as well as a few digital tunes for good measure. This was followed up by a home loan, after which Mike decided to purchase both the Elector Preamplifier and RIAA Phono, which fitted into his system like a glove.

The demo SPL system - COMPLIMENTED by the Planar 6 and Dali epicon 6 speakers

Conclusion

So, thanks again to SCV for giving us the opportunity to try out something different. We remain very impressed by the SPL kit we heard and, best of all, we have another satisfied customer! 

What do you think of this kit? Would you like to listen to it? If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

Thanks for reading.

Rob & Jon - Audio T Oxford

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


 

It’s all about the customer service… A tale from Audio T and Dynaudio.

In our almost 60 year history, Audio T has prided itself on exceptional customer service, both during and after the sale. This is often made easier by the quality of the products we sell and the manufacturers we choose to operate with. Here is a tale of one such example of how a premium manufacturer deals with aftercare, alongside an authorised dealer such as ourselves…

Here at Audio T Oxford, we recently had an enquiry from a gentleman whose father had bought a system from us back in 2003 compromising of a pair of Dynaudio Special 25 Speakers, Cyrus 8/ PSXR amplification, an Arcam CD93 Player, an Arcam tuner and a Denon cassette deck - Remember those?

Now, whilst Dynaudio products have a well founded reputation for being bulletproof, after 20 years of faithful service one of the mid/bass drive units had failed. Our customer, Jimmy, is now 99 years young and still loves his music and in particular, loves these speakers.

Dynaudio Special 25

Jimmy had asked his son Steve to see if he could help get the speaker looked at. Given that the speaker was purchased twenty years ago, Steve thought it best to contact Dynaudio directly. As the original purchase location and authorised dealer, Dynaudio put Steve in touch with ourselves.

So, Steve got in touch to see if we could, if at all possible, get the speaker fixed in time for his father’s 100th birthday! As luck would have it, the Special 25 speakers came with a 25 year warranty, personally signed by the long serving then President of Dynaudio, Wilfried Ehrenholz.

The original certificate of warranty from dynaudio

Steve duly dropped the speaker off for us to test and we confirmed that it was indeed the driver that was fault. 

We contacted Bill Livingston, the head of Dynaudio UK about obtaining spares, only to be told that none were left at the factory, but as a manufacturer that are serious about honouring their warranties and given the fact that they build all their own drive units in-house; the conversation went along the lines of “No problem, we can build you new drive units, we keep all the original design drawings and specifications, just give us a couple of weeks and we will make a new pair!

We felt that this was outstanding customer service and a testament to Dynaudio.

Sure enough, two weeks later the brand new mid/bass drivers arrived…

After some careful servicing from yours truly, the driver has now been replaced and the loudspeaker thoroughly soak tested. And it is sounding fantastic, if we do say so ourselves!

Because Steve isn’t local, and only one speaker was brought in to us, we have given him the option of keeping hold of the other drive unit as a spare or we’ll happily fit it in the other speaker, whichever he, or his father prefers.


The story continues…

This is Jimmy (and his son Steve), collecting his Special Forty’s from audio t oxford

Following on from our initial blog, we have since replaced the other drive unit so that both match. While they were here, we took the opportunity to sit and have a play with the speakers and got to chat to Jimmy…

It turns out that Jimmy was an RAF pilot that fought in the Second World War! He flew Spitfires and even survived a crash landing. In 1944, he had to bale out of a burning P40 Kittyhawk. He reagailed that the metal was so hot that he couldn’t move the canopy (the transparent enclosure over the cockpit). He thought he was a goner and prayed for help only to suddenly find himself out of the aeroplane (landing covered in molten metal) and became a POW for the remainder of the war. 

He had amazing anecdotes, like a German soldier repairing his clothes for him; which he described as “…a real Christian act when you consider that 45 minutes beforehand he had been strafing them”. Being a prisoner he suffered some real hardships of cold and hunger but some of the guards showed real kindness.

He ended his career flying the interceptor aircraft, English Electric Lightning. Being somewhat of an military aviation geek myself, I could literally have talked to him for hours. Jimmy has a short book written about his exploits. I might just have to track it down for myself.


We would like to take this opportunity to wish Jimmy a very happy 100th birthday!

Thanks for reading.

Jon & Rob - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


Dynaudio Focus - A New Take on High End Sound

Where is hi-fi and music going in the future? Will it continue to pivot around sound quality, realism and dynamics, emotional content etc or, at its expense, will the centre of gravity shift towards convenience, new technology and fewer boxes? Dynaudio have clearly been giving some serious thought to this issue and applied their considerable audio engineering expertise to it.

Their answer is nothing need be sacrificed, it can be all these great things and more! So here we have true wireless hi-fi and the high-level audio performance you deserve, courtesy of future proofed and award-winning acoustic technology 

The Dynaudio Focus Family

Let us introduce the Dynaudio Focus range - Dynaudio’s latest addition to their fantastic portfolio of active loudspeaker models. The Focus range comprises (right to left) the stand mount Focus 10, and the floor standing Focus 30 and 50 models. Four finishes are available - Gloss Black, Gloss White, Blonde Wood and Walnut. For this blog we are concentrating on the Focus 50, the flagship model of the range and suitable for larger rooms.  

So, what does the Focus do?  

Well, the list is considerable: 

  • Streaming via Spotify Connect, Tidal Connect, Qobuz Connect (when available), Apple Airplay 2, Google Chromecast, Roon, Bluetooth and any local networked UPNP capabilities, or via a networked hard drive at home

  • Other digital sources can be connected via co-axial and optical inputs,

  • There is even an analogue input for say your turntable/phono stage etc.

  • The speakers “talk” to each other via WiSA technology and also to televisions and other audio gear, that are increasingly becoming WiSA equipped ( WiSA certified sound systems allow high definition audio to be transmitted and received wirelessly in a totally synchronised manner)

So, pretty much a hub for everything. The only connections the Focus actives require are a network (you can go wired or wireless), and one mains socket each.

The

The physical Power socket, ANALOGUE and Digital Ins & outs at the back of the Primary speaker. Everything else is wireless or wisa.

What is in the speaker box? 

Being an active loudspeaker, each Focus 50 has three class-D amplifiers on board, one 110W unit for the 28mm soft-dome tweeter: a 280W amp for the for the midrange driver and one 280W amp for the twin bass drivers (working in parallel). Each amp is matched for performance to its tweeter, mid-range unit or woofer. The amplifiers are made for Dynaudio by Pascal, the same used in Dynaudio’s flagship professional studio speakers. One speaker is the Primary (with inputs and controls) and the other is the Client connected via WiSA.

All amplifier and speaker units are calibrated to work together to provide full range fatigue free sound. One great feature of the DSP package is a built-in failsafe system preventing overdriving and damaging the drive units, that is if you are in party mode and have informed the neighbours first! 

App & Tech Driven 

Set up and adjustment for the speakers is done via two free IOS and Android Dynaudio Apps:

  • Dynaudio Set-up - to get the speakers configured and online etc

  • Dynaudio Control - to set or change the parameters and sound profiles in the speaker settings

  • Bluetooth - a good old-fashioned remote supplied for the times when you can’t find your tablet or phone!

  • Updates - are periodically available for firmware and software as an automatic download. 

Dynaudio Control app - entry to speaker control parameters

dynaudio control app - access tidal or spotify connect etc, or radio via Ipad

dynaudio Control app - play music from UPNP or access settings

Digital System Processing (DSP) and Switching

As well as the high level of speaker calibration of amplifiers to drive units, a range of DSP options is available to optimise each speaker for their position within your room (near wall, corner or open space) and an option to drive an external subwoofer if desired (especially useful for large high ceiling rooms). You can also change the speaker’s sound profile from Neutral to Bright or Dark.

dynaudio control app - source selection

dynaudio control app : DSP and configuration settings

dynaudio control app - advanced settings

If you have a DIRAC licence (purchased and installed separately) you can use DIRAC Live to optimise the speakers to your room.

Our System 

With so many options we thought, as a starting point, it would be fun to build the most minimalist but potent streaming system we could, with as few leads as possible. This is what we came up with: 

  • Innuos Zen Mini acting as a UPNP source

  • Control from Roon Core and software for the most expansive musical experience

  • The Dynaudio Focus 50’s acting as Roon Endpoints

  • A tablet with the Roon App, to control volume and UPNP sources/ endpoints and navigate the music. 

In this instance you would need a Roon licence with the expense of the annual or lifetime subscription, but Roon does provide a rich and rewarding musical experience and it will also distribute music to any network connected device that is “Roon Ready”. In this respect it is a more or less universal application. To set all this up, there was some swapping around between the Innuos Sense App, the Dynaudio Control App and Roon itself, to get everything going, but it was intuitive if you are even only a little tech savvy. If not, it would be a reasonable expectation for your dealer to set this up for you. 

So how does it sound? 

The Focus 50’s are very impressive indeed at the end of this digital system!  

Whilst it is tempting to play loud and low (because they do both of these very well), they will also do subtle and sublime. Music is insightful, dynamic, moving and fatigue free and very well voiced. Indeed one of the very best features of the Focus range, is the ability to play deep, extended bass whilst maintaining the treble and all-important midrange at low listening levels, something we have never heard done so well on a passive speaker. So, kudos to some very clever Dynaudio DSP wizardry. 

Most of all they are highly satisfying to listen to, and with Roon you will soon find yourself “going down the rabbit hole” into an expansive voyage of discovery of new music. So, the Innuos and Roon showed us just how fantastically capable the Focus actives are with networked music. Of course, if Roon is not for you, then Tidal Connect also works very well.

But the Focus 50s are versatile and we like vinyl, so we thought why not try the analogue inputs? Out came the excellent Rega Planar 10/ Apheta and Aria phono stage. We set the Focus 50s to their analogue input and we had our vinyl collection available! Great excitement and dynamics again. Vinyl purists may argue that the signal is being converted to digital, but in our view the Focus 50s maintained and discriminated the excellence of the Rega pairing. To prove this, we substituted the P10 combo for a lesser but good calibre deck and the difference in quality was clear. So, the Focus 50s recognise and distinguish between the quality of any analogue input

The focus 50’s with the rega p10 analogue combo

The Test Music

  • Burnt Friedman and the New Dub Players - Just Landed (Jazz & Dub)

  • Floating Points/ Pharaoh Sanders - Promises (Jazz, Electronic & Symphony Orchestra)

  • Porcupine Tree - Fear of a Blank Planet (Rock)

  • Raising Sand - Robert Plant and Alison Kraus (Americana)

  • Yello - One Second (Dance/Vinyl)

Summary

Here we have a speaker that is unflustered, powerful, and insightful, no matter what you throw at it. It plays music in a coherent and satisfying way. It is a different non-traditional way of presenting high quality music, that permits you to keep and enjoy your existing or legacy formats, yet also allows you to take a deep dive into the world of streaming. They sound just great with all the genres of music that we played.

So why not try the Focus range with your musical collection? You will enjoy every minute of it.    

If you would like to listen to any of these models, please do not hesitate to get in touch. Currently in residence at our Oxford and Reading stores.

Thanks for reading.

Rob and Jon - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


 

“For those about to Rock, We Salute You” - AC/DC Mains Regeneration from PS Audio

Here are Audio T, we have a long history of offering high quality mains filtration devices, but mains regeneration is a relatively new thing to us and one that is exciting!

Most of us are fortunate enough to experience a Hi-Fi that sings along beautifully without any problems. Unfortunately, there are those times when it just isn’t quite performing at its peak. The culprit can often be the variable quality of mains power coming into the house. Sadly, this is rarely as advertised, with a clean and consistent 230V being a distant dream, whilst distortion through the mains is always present, to a greater or lesser extent.

PS Audio is an American manufacturer that specializes in high-fidelity audio components, equipment for audiophiles and the sound recording industry. They currently produce audio amplifiers, preamplifiers, digital-to-analog converters and audio streaming solutions. But the purpose of this article is to discuss their power related products, more specifically their mid-priced Power Plant 12, which is currently in use in our demonstration room at Audio T Oxford.

How does it work?

Using an ultra-low impedance analogue power amplifier and a proprietary DSD sine wave generator; incoming AC is converted to DC and then back to form a perfect AC sine wave.

The Power Plant is not a mains conditioner. Instead, the Power Plant actually rebuilds the mains, delivering clean, distortion and noise free voltage, providing a properly regulated 230V supply to your equipment. It also reduces radio, mobile and computer interference to a massive degree. In a nutshell, you will be getting the mains supply that your equipment was designed for. It will improve the performance of any item of equipment attached to it, making for an overall system upgrade.

Features

Up to four zones and a total of 1250W are available, so the Power Plant can power most systems, allowing you to build a great foundational improvement for your Hi-Fi for many years to come. A colour touchscreen makes set up and monitoring easy and also conveniently shows the “before and after” improvement.

Original Mains distortion

distortion Free output from the Power Plant

improvement Factor

ready to go………

So, how does it sound?

The Power Plant 12 gives a system a truly astonishing deep black background, the noise floor having plummeted. As a result, the timbre and layering of both vocals and instruments improves greatly, as do the all-important micro dynamics. A greater dynamic range also seems apparent. If there is a downside (and in our opinion there isn’t), the level of insight can occasionally expose poor recordings, warts, and all.

Conclusion

If you love your music and you want to improve your whole system, both now and for any future changes, then you owe it to yourself to try a PS Audio Power Plant!

Join us for a forthcoming event…

We will be joined by PS Audio on Thursday 24th November, where you can experience first hand the affects these products have, as well as have a chat with the UK distributor. Please find out more Here.

Thanks for reading.

Rob and Jon - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


PS Audio can be found at the following Audio T stores -

Rega Elicit Mk5 - How does it fair to its predecessor?

Housed in the latest custom case to match the rest of the Rega range, the new Elicit MK5 builds on previous Rega designs. Having thoroughly run in the slim, but reassuringly heavy latest amplifier from Rega, I thought it was probably about time to say some words, about its build, its features, but most importantly how well it performs:

The design of the new Elicit Mk5 is beautifully put together and displays the minimalist styling that is typical of Rega. With just the headphone socket, power, input select button and an (Alps pot equipped) volume control on the front panel. If you think of a slimmer Aethos, then you will be on the right lines.

Using a similar FET based amplifier design to that of its bigger brother the Aethos, and equipped with a plethora of high quality components, in the areas that matter most. The rated power is 105W into 8 Ohms. The inbuilt Wolfson DAC is capable of up to 24bit/ 192 kHz resolution and has both optical and coaxial inputs, but no USB. Likewise, no DSD conversion is available.

Like all phono stage equipped Rega amplifiers, the moving magnet stage is excellent and would be entirely capable of partnering a Planar 3, or even a Planar 6. The headphone amplifier is equally excellent. It is certainly much better specified than the previous Elicit R.

So how does it compare to its predecessor?

The previous Elicit R was a lovely sounding amplifier, and a very popular one at that. But, unlike the other amplifiers in Rega’s range it always appeared to be ploughing its own furrow. Where the Elex R had the more muscular “house” sound, now fully realised in the exceptional Aethos, the Elicit R always seemed a to deliver music with a touch more delicacy, and while lithe in the way that the Brio so brilliantly is, it was tad light-footed and less able to cross genres and communicate the drive and attack that the rest of the Rega’s range are so clearly capable of. This certainly didn’t make it an also-ran, just a different sound and, well, less Rega.

The Listening…

Using the wonderful value Bluesound Node as the source (both on its own and later with the RME ADI-2 DAC), driving a pair of JBL HDI 1600’s; I played some of my favourite test tracks: From Rob Wasserman’s album ‘Duets’, ‘Ballad of the runaway horse’ is a standout track: With the new Elicit MK5, Rega have refined the sound, taking the Elicit R ability to resolve the finer details and to capture the soundstage, communicating the depth and width of the recording, along with a more powerful sound. This new Elicit MK5 fits into the range as a definitive step-up over the Elex R and as the precursor to the glorious Aethos. It offers the best elements of the outgoing model with a more dynamic and impactful delivery.

Moving onto Lou Reed’s ‘Walk on the wild side’: the vocal’s appear to sit further forward in the mix and they are somehow more immediate. And while the soundstage projected is just as wide, there is now a real focus on the drive and rhythm in a track and the new Elicit MK5 can really hit hard when it’s called too. It’s the absolute step up we were anticipating and very welcome, making what was a very good amp’, great.  

If you would like to have a listen to this very fine amplifier, please get in touch.

Thank you for reading.

Jon, Andrew and Rob - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


A first look at the Stellar Strata Integrated Streaming Amplifier from PS Audio

According to Merseyside rockers, Half Man Half Biscuit,Time flies by when you're the driver of a train” - Just as it does when you're a Hi-Fi retailer! Unbelievably it has been more than three weeks since our very welcome store visit from Signature Systems, who kindly brought all manner of lovely stuff for us to play with. As the UK distributors for a plethora of quality brands, we were furnished with a dazzling array of equipment from Matrix Audio, Sbooster, Ferrum and PS Audio. And, as you would expect, these past weeks have flown-by while we get to grips with some really interesting and exciting electronics.

I briefly alluded to the startling quality delivered by Matrix Audio's X - Sabre 3 in a recent Facebook post and this DAC has quickly become our preferred digital source since it was first installed. It will be the subject of a properly formulated blog entry at some point shortly as it has proved to be a very welcome addition to Audio T Oxford’s recently refurbished listening room. However, on this occasion I would like to draw your attention to the wonderful world of PS Audio, who offer a distinctly different approach to design and were the principal reason we were so keen to speak to Signature.

My interest was captured following a regular customer's wholehearted endorsement of PS Audio, and their Stellar range a few years ago. As any Hi-Fi hobbyist can relate, a carefully auditioned amplifier upgrade, can inevitably lead to the quest for a new pair of speakers within a matter of a months! Frustratingly though, the new speakers appeared to require, or possibly deserve, a little more current and control than my customer felt the new amp' could muster; enter PS Audio and one of the most effusive and unequivocal endorsements of any brand. Unfortunately the Pandemic prohibited me from enjoying the offered home visit, but I haven't forgotten that positive feedback and consequently we all have been very keen to hear the distinct sound that PS Audio electronics deliver.

The Signature team's visit was fun and informative and they have also been very generous, leaving us with a comprehensive selection of PS Audio products to play with that included the PerfectWave Power Plant 12 and it's Stellar range equivalent, the Power Plant 3.

Unlike traditional mains conditioning units, the two Power Plants aim is to completely reconstruct the mains feed received from your wall socket. The AC feed delivered is converted to DC and then back to AC and at this point the sine wave is completely reconstructed ensuring that any deleterious effects from your mains won't affect playback. For the electrically uninitiated, like myself, this is eminently repeatable concept but ultimately one lost in the lack of an absolute technical understanding. However, the benefits are clear and obvious to hear when the Power Plants are included in a system and while we have had an awful lot of equipment to play with recently, I couldn’t resist taking the Power Plant 3 home to try with my current system, again delivering the same superb results. It worked beautifully with my Naim Pre/Power and gave a substantial up-step to both my streamer and DAC. Very impressive and definitely worth investigating as the improvement can be substantial.

Power regenerators aside, we were also furnished with the Stellar GainCell DAC, a very capable Pre-Amp designed to work with either the Stellar S300 Stereo Power Amplifier or the Mono M700's - more news to come on all three products. But the subject of this missive….is the Stellar Strata, an integrated amplifier that includes a Sabre chipset based DAC with a Streaming Platform built-in and some potent amplification.

The DAC offers multiple inputs including two coaxial inputs - PCM up to 192kHz with a single optical connection - PCM up to 96kHz, USB socket - PCM 384kHz and DSD128 and the less prevalent I2S connection resolving PCM 384kHz and DSD128, which PS use to great effect in their more exotic standalone DACs and the PerfectWave SACD Transport. The streamer is easily controlled via PS Connect, a free to download app for phone or tablet that is eminently useable. The Strata is priced at £3150*.

How does it sound?

PS Audio's Stellar range is built exclusively around ICEPower Digital Amplification modules. In the Strata they deliver a "minimum" of 100 watts into a 8 Ohm load, doubling 200 watts into 4 Ohms. Far from an inconsiderable amount of power gave us the impetus to really push the Strata’s limits and while we tried quite a few speakers, one of the more exotic employed were Dali Epicon 6, which at 4x the Stellar’s price point might have proved a tall order, but were driven to great effect. The Strata has a distinct sonic character that is unlike any other electronics brand we currently stock. And no matter the speaker the Strata was paired with its signature was clearly audible.

PS' often describe the sound they sought to achieve with the Strata range as valve or tube like, and there is a definite sense of warmth in amongst the proceedings but the Strata's sound is in no way cloying or even reserved. The Strata is dynamic, propulsive even, and you can’t help but be engaged. And while timing is tight, the soundstage is wide, vocals step forward in the mix and fine detail is beautifully resolved. Now I have had plenty of time to really get to grips with the Strata and I have listened to many of my favourites and then some, but the best illustration I can give of the Strata's abilities was while listening to Tookah by Emiliana Torrini, just as I was putting the finishing touches to this blog post.

This is the opening and title track from her last solo outing and it's a track I am very familiar with. It also seemed to demonstrate the character of the Strata. From the outset there is a real sense of pace. A tight drum pattern, is intermittently punctuated by an echoing finger click which, with the Strata, always appears precisely in place, while a slightly recessed guitar not helps the songs progress but adds to the layers and while this element is sometimes lost to other electronics, it is clear to hear and the shades within the element of the mix aren’t lost.

Throughout these opening bars there are subtle changes of character within each strand as this seemingly simple track starts to show its depth. Pleasingly the Strata was easily able to expose all of these nuances and as the vocal begins to take your focus, nothing is lost in translation, the rhythm and flow remain constant, while the vocal sits forward in the mix, sparkling with each and every inflection. It’s an effortless performance and indicates the discrete yet impressive nature of the Strata, this is a single box that offers true hi-fidelity sound in the way that not so long ago, only multiple boxes and dedicated power supplies could.

The Strata’s sound is immediate and impressive but you quickly understand this is an accomplished component offering a clean, unforced and naturally musical sound. The Strata is fantastic but it also gives a clue to the improvements to be had within the rest of the Stellar range and without wishing to give too much away, things only get better and better as you climb that PS Audio ladder. So far, a thoroughly enjoyable journey.

Thank you for reading.

Andrew, Jon and Rob - Audio T Oxford

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


*All prices, credit terms and interest rates quoted are correct at the time of going to press but may be subject to change. E&OE