Welcome to my second blog on Fyne Audio loudspeakers. After spending some time with the F501E, I was keen to get stuck into the newer F500S Series and see what they’re all about. This time, it’s less about background and more about how these speakers actually perform, how they compare, and where they fit in a real-world system…

In the crowded world of hi-fi loudspeakers, finding a range that genuinely balances performance, design, and value is no easy feat. The F500S Series from Fyne Audio positions itself right in that sweet spot, offering premium engineering and musicality without straying into unaffordable territory. Introduced in 2025 as an evolution of the already respected F500 line, the F500S range aims to refine rather than reinvent — and in many ways, that’s exactly why it works.

Fyne Audio has a fascinating history, but rather than repeat what I’ve written previously, here is the link to my earlier F501E, which goes into those details in more depth.

The range

The F500S Series is a well thought-out line-up, covering both two-channel and home cinema use. It consists of the standmount F5S and F500S, two floorstanders — the F501S and F502S — and the F500S LCR for home cinema applications.

What’s particularly appealing here is the consistency across the range. Whether you’re building a compact system or a full room-filling setup, the design philosophy and sonic character remain aligned.

F500S Series vs F500E Series

On the surface, the changes from the E Series might seem largely cosmetic — but they’re more meaningful than that.

The F500S models feature refined finishes and real wood veneers, available in black oak, natural walnut, and piano black gloss. The cabinets feel more premium, both visually and physically, with improved fit and finish. Internally, they remain well braced, and the magnetic grilles keep things clean and modern.

These speakers feel substantial and well-crafted — closer to higher-end products than their pricing might suggest.

Less obvious, but arguably more important, is the continued evolution of the IsoFlare driver technology. The S Series introduces a neodymium HF magnet, a vented rear chamber, and a move to a magnesium HF diaphragm instead of titanium. These aren’t headline-grabbing changes, but they contribute to a more refined and controlled top end.

IsoFlare

At the heart of many Fyne designs is the IsoFlare driver. In simple terms, it places the tweeter in the centre of the mid/bass cone, so sound radiates from a single point.

Why does that matter? Because your ears don’t have to “piece together” different frequencies arriving from different places. The result is more natural imaging, better focus, and a soundstage that holds together even when you’re not sat dead centre.

It’s one of those technologies that doesn’t shout about itself, but you notice it almost immediately when you sit down and listen.

Like the E Series, the S models use multi-fibre bass cones and Fyne’s BassTrax system for more forgiving room placement. This makes them particularly easy to live with in real-world environments, rather than perfect demo rooms.

The S Series are also bi-wireable, and a presence control switch is neatly positioned between the terminals. This allows the user to adjust the lower treble output (2.5 – 5.0 kHz) by ±3dB. It’s a genuinely useful feature, not just a gimmick — especially if you’re fine-tuning for room acoustics or partnering equipment.

F500S and F501S – A Comparison

Starting with the F500S, I partnered these speakers with a Rega Elex amplifier and a Bluesound Node Icon streamer. I fired up Messy by Lola Young — a fantastic track with a strong message and a great mix to test vocal presence and control.

The standout feature here is the improved IsoFlare point source driver, which delivers excellent stereo imaging. Vocals sit exactly where they should, and there’s a real sense of cohesion across the frequency range.

The treble is smooth and refined, and noticeably superior to that of the F500E — cleaner, with less edge.

Midrange is natural and slightly on the warm side of neutral, which works well across a wide range of music.

Bass is tight and surprisingly deep for the size of the cabinet, with good control and no sense of overhang.

Moving onto the F501S.

The F501S takes the same design philosophy but scales it up into a full-range floorstander, and the differences are immediately noticeable.

Playing Contact by Daft Punk — a great test of speed, bass extension, and dynamic headroom — the overall character remains consistent with the F500S, but everything opens up.

The soundstage is larger and more spacious, filling the room with ease. Bass goes deeper and has more authority, while dynamics are stronger and more effortless. There’s a greater sense of scale without losing the coherence that makes the smaller model so engaging.

Verdict: Even ore of a good thing.

These speakers excel in ease of setup and day-to-day usability. They don’t demand perfect positioning or carefully matched equipment to sound good, which is a big part of their appeal. You can get them up and running quickly and still enjoy a genuinely engaging performance.

The treble is smooth, the midrange rich, and the overall presentation is non-fatiguing, even over longer listening sessions. They’re the kind of speakers you can happily listen to for hours without feeling the need to turn things down or switch off.

What really stands out is how well balanced they are. Nothing feels overdone or artificially pushed forward — it’s just a clean, cohesive sound that works across a wide range of music. Whether you’re listening at lower levels in the evening or opening them up a bit, they remain composed and enjoyable.

The improvements over the E Series might not seem dramatic on paper, but in practice they add up. There’s a noticeable step up in refinement, particularly in the top end, along with a more confident and controlled presentation overall.

The extra cost over the E Series is well justified — not just in terms of aesthetics, but in the audible refinements as well. They look smarter, feel better built, and sound more polished.

For anyone putting together a system in this price range, the F500S Series is very easy to recommend. It’s a range that manages to feel both accessible and properly considered, without cutting corners where it matters.

It’s hard not to be impressed with what Fyne Audio has achieved here — and even harder not to just sit back and enjoy the music.

Thanks for reading. If this has sparked your interest, feel free to contact us to arrange a demonstration.

Jon and Andy - Audio T Swindon

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to contact us.

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