Meze Audio – Makers of Headphones That Sound as Good as They Look

Hello everyone, and welcome to the February blog from Audio T Brighton! For this month’s article we are going to move our attention over to personal listening via a now well-established headphone manufacturer, Meze Audio.

Since 2011 Meze Audio has offered stylish and well-made headphones and in recent years expanded their range to suit all budgets. Let’s have a look and listen to four headphones in their range that we’ve had a listen to - spoiler alert, we like all of them!

Yet another bit of personal history...

I seem to be getting into a habit of giving accounts of some hi-fi gear that I own or have owned and love…

Over the years I have owned many pairs of headphones but started to use “cans” for personal listening more frequently with young children in the house, both for drowning-out their noise and to avoid waking the rest of the household when listening late at night, (I’m sure many readers of this blog will recognise this scenario quite well).

The second scenario I’m about to mention is more unfortunate - headphones break all too easily, especially the plastic headbands and cable attachments. Sadly this often means consigning the headphones to the bin because repairs cannot be carried out or parts are unavailable - the green revolution hasn’t yet migrated to headphone manufacture.

After having experienced a headband crack scenario with 3 consecutive pairs of headphones (original pair and 2 replacement pairs from a manufacturer who will remain nameless!) I decided to try and find a different manufacturer who manage to make headphones that look good, sound good and can be repaired - a tough ask!

Enter Meze Audio with the Meze 99 Classics! These closed-back headphones have been a family stalwart over the years and an ideal partner for entry-level headphone setups, portable audio and gaming use, offering fine sound and respectable isolation from external noise.

Meze 99 classics

User replaceable parts...

Visiting the Meze Audio website, they proudly advertise in the Accessories section the availability of user-replaceable parts, including the usual earpads, headband strap etc, but they also allow users to replace the drivers themself, if they happen to get damaged. Meze’s headphones are notable for the limited use of plastic parts in their construction and this certainly bodes well for serviceability and longevity, not to forget the aforementioned “green” recycling credentials.

Meze’s delectable range of headphones here at Audio T in Brighton...

Meze 105AER open-back...

Meze’s 105AER headphones are a new product in their range and the company’s entry-level open-back. The 105AER is one of the few models using plastic as a major material in their construction. Fortunately, the parts that benefit from non-plastic construction are used where they are most needed - in that headband. Along with other models in their range and pioneered by its use in the Meze 99 Classics, is a self-adjusting headband, allowing the user to just pop the headphones on their head and let the elasticated headband strap take up the strain. This method not only proves to be very comfortable, but its lightweight construction keeps the weight of the headphones down quite a bit and you hardly notice them on your head at all once the music starts playing.

Soundwise, these two headphones have a very different signature, with the Meze 105AER’s offering a more linear, open and refined sound - often the case when comparing open v closed headphones. The Meze 99 Classics offer a more “v-shaped” sound signature, satisfying for “bassheads” or those who need sound isolation.

Meze 109 Pro open-back...

Next in the Meze Audio headphone range are the 109 Pros. These open-back headphones, crafted from wood and metal, exude class and deliver a wonderfully open and extended sound. We found them to be a step up from the Meze 105AER, offering greater detail and openness, with good efficiency and an excellent sense of drive. They pair comfortably with portable devices, standard headphone outputs, and higher-end setups.

They also respond well to Meze Audio’s cable upgrade options - more on that later.

Meze Liric 2 closed-back...

Meze Audio’s premium closed-back headphone, the Liric 2, now comes with a revised tuning and perhaps more importantly, have an option to magnetically swap out headphone pads when they wear out, lacking in the original model. Adorned with a lovely wooden fascia, the Liric 2 are certainly more weighty than the aforementioned Meze models, but still incredibly comfortable. As one would expect for the price difference, the Meze Liric 2 are more open and refined than their closed-back juniors, the 99 Classics, but very different from the open sound of the Meze 109 Pros. However, if you want a luxuriously comfy fit, the isolation of a closed-back pair of cans, want a nice warm sound with plenty of detail, then these are a good choice.

Meze Empyrean 2 open-back...

Just below the top-of-the-range Meze Elites come the Empyrean 2. Like their closed-back siblings, the Liric 2, these have undergone a recent re-tuning & re-styling in their Mk2 guise.

The Meze Empyrean 2 employ neodymium magnets in a hybrid array to disperse sound uniformly across the whole driver diaphragm surface.

isodynamic array driver used in the liric, empyrean & elite headphones

The upshot of the use of their proprietary driver is one of outstanding linearity, detail and clarity across a wide bandwidth. We found the step forward in sound reproduction over the Meze 109 Pro was significant, with a much more mature, refined and sophisticated sound. There are similarities with the Meze Liric 2’s, but the open sound of the Meze Empyrean’s was a cut above.

Headphone cable upgrades...

One of the options on offer from Maze is the choice of a range of high quality copper or silver cables to upgrade the sound and look of their headphone range. Cables really can make a difference and they elevate the sound quality of their range of headphones significantly - the Meze 105AER, Meze 109 Pro and Meze Liric 2 all responded well to these cable upgrades with the Meze Empyrean 2 supplied with copper mini-XLR version as standard.

Copper v silver...

It’s important not to stereotype the effects of copper versus silver cable materials on sound characteristics, as there are always exceptions. However, in this case—and true to form—the Meze silver cables placed more emphasis on the upper mids and presence region, while the copper cables tended to offer a fuller, more rounded sound. In a way, they act like subtle tone controls, making them a useful tool for tailoring your headphones' sound to your preference. Both provided noticeable improvements over the stock cables supplied in the box.

Meze’s audio cuisine is geared to taste...

We’re big fans of the Meze headphone range—not only do they offer superb comfort and striking looks, but they also deliver fantastic sound and are built to last. Unlike the Greek cuisine of the same name, these are a treat you can enjoy for years to come!

Of course, the proof of the pudding is in the eating, and the best way to experience them is in person. Whether you're curious about how they compare to your current headphones or looking for something new, we’d love to help. Get in touch to book a demonstration and hear the difference for yourself.

Thanks for reading

Ade, John and Paul - Audio T Brighton

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…

Meze Audio can be found at the following Audio T stores

The new Cyrus 40 series has arrived at Manchester ahead of The Bristol Hi-Fi Show.

The brand new Cyrus 40 AMP and 40 ST streamer mark a bold step forward for the British hi-fi brand, blending cutting-edge design with the signature sonic excellence Cyrus is known for. As part of the newly launched 40 Series, this Duo arrives with a fresh aesthetic and a host of connectivity options, making it a compelling choice for hifi enthusiasts, audiophiles and modern music lovers a like.

Read on for an overview of the new kit.

Ahhhhh, check mate chromey.

Gone is the old style fascia with the Godfather chin, instead, the 40 AMP and the rest of series, sports a sleek and new aluminium enclosure with a minimalist glass front panel. It definitely exudes quality.

Connectivity & Features

Cyrus has equipped the 40 AMP with a well-rounded set of inputs, catering to both your digital and analog needs. You'll find:

  • Four RCA line-level inputs for traditional sources

  • Moving Magnet (MM) phono stage for vinyl.

  • USB, optical, and coaxial digital inputs for streaming and media players. HDMI eARC support, so you can stick your TV in the middle of your stereo set up for those that use their living room for music and a bit of Jools Holland.

Turntable inputs are the norm nowadays,thankfully

Performance & Sound Quality from the Cyrus 40 amp.

At its core, the Cyrus 40 AMP delivers 100 watts into 6 ohms using a refined Class AB amplifier design, which is much improved over the older version. The result? A powerful yet articulate sound that maintains a perfect balance between warmth and precision.

We put our unit through its paces using CD and streaming and hasn't let us down.

The results are that the low-end is tight and controlled, and with enough depth to satisfy even the most bass-heavy tracks. The midrange is detailed enough as to allow vocals and instruments to shine with clarity. And the treble is smooth and refined, avoiding any harshness of fatigue over long periods of listening sessions.

So, whether paired with bookshelf or floor-standing speakers, the Cyrus 40 AMP exhibits an impressive sense of space, delivering an open, natural soundstage. The built-in phono stage is another strong point, offering a detailed performance for your turntable.

The Cyrus 40 ST is the other latest addition to the new 40 Series—a high-resolution streamer that is manna from heaven for serious music lovers. With the same sleek new aesthetic, extensive connectivity options, and a focus on top-end performance, the 40 ST aims to compete with some of the best network streamers on the market.

Features & Connectivity

The Cyrus 40 ST is packed with features that ensure broad compatibility with most other hi-fi brands.

  • Wi-Fi & Ethernet connectivity for high-quality streaming

  • Supports high-resolution audio up to 24-bit/192kHz

  • Native support for TIDAL Connect, Qobuz, Spotify Connect, and internet radio

  • Roon Ready certified, allowing seamless integration with other high-end streaming devices in your home

  • USB, optical, and coaxial digital outputs for easy connection to DACs or amplifiers

Performance & Sound Quality of the Cyrus 40 ST Streamer.

Cyrus has long been known for delivering clean, detailed, and natural sound, and the 40 ST is no exception. This streamer handles high-resolution files with aplomb, presenting music with clarity, depth, and dynamics.

In the short time we've had the Cyrus 40 Series, it hasn't missed a beat.

The timing and rhythm of the 40 ST are particularly impressive, making it a cracking choice for listeners who appreciate detail and toe-tapping musicality. Whether you're playing jazz, classical, rock, or electronic music, the streamer delivers a balanced and engaging experience.

The fit and finish is excellent, as you can see in the images below.

That’s a quick overview of the new Cyrus 40 Series. We have four pieces available for demonstration: the 40 Amp and 40 Streamer, along with a new CD transport and a brand-new PSU (power supply unit). All are now on demo at our Manchester store.

Additionally, Cyrus will be at The Bristol Show in the Matthew Suite on the lower ground floor.

Thanks for reading.

Munir, James and Dave - Audio T Manchester

See you at The Bristol Show.!!!

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


Cyrus can be found at the following Audio T stores

ARCAM'S FLAGSHIP STREAMER; THE ST25

This month, Audio T Swindon explores the latest network streamer from Arcam

A brief history of Arcam

Established in 1976, Arcam is a British manufacturer of hi-fi equipment based in Cambridgeshire. Like many renowned British hi-fi brands, its roots trace back to Cambridge University, where John Dawson and Chris Evans founded the company. Today, Arcam is part of the Harman group, alongside American speaker manufacturer JBL.

Arcam has a history of innovation, producing standout products such as a standalone NICAM tuner and the only British cassette deck to feature Dolby S.

As a personal note, my first ‘proper’ hi-fi system included an Arcam amplifier and CD player—a setup that still brings back fond memories.

The Arcam ST25 streamer

Arcam has recently unveiled its new flagship streamer, the ST25. Designed to complement the rest of the current Radia range, its soft curves and contemporary colours give it an understated elegance.

A standout feature is the front panel, which conceals a large 6.5” high-resolution display. This impressive screen provides clear playback information and vibrant artwork, remaining easy to read even from across the room.

Under the hood, the ST25 is equipped with a linear toroidal power supply—powering everything except the standby circuit—to deliver a lower noise floor. Six-layer circuit boards with a ground plane help shield sensitive components from interference, while the latest ESS Hyperstream IV DAC topology handles digital and streaming duties with precision.

The ST25 introduces an entirely new streaming platform, user interface, and app, marking a significant leap forward for Arcam. The app, in particular, has seen remarkable improvements since its initial launch, reflecting Arcam's commitment to an intuitive and user-friendly experience. The interface is clean, simple, and easy to navigate.

A remote control is also included for added convenience.

ARCAM ST25 in AUDIO T SWINDON

Features

Screenshot of the app

The ST25 offers an impressive range of supported features, ensuring compatibility with various streaming and connectivity options. These include Airplay, Google Cast, Qobuz, Spotify Connect, and Tidal Connect, allowing you to access music effortlessly from a range of platforms. The device also supports Internet Radio, UPNP for seamless network streaming, and includes both USB input and optical and coaxial outputs for versatile connectivity. Plus, with Roon Ready integration, the ST25 ensures an exceptional, high-quality experience for audiophiles and casual listeners alike.

REAR OF THE ARCAM ST25 in AUDIO T SWINDON

ALL SET-UP AND READY TO GO

Sound Quality

I’ve been selling Arcam products for around 35 years, and if I were to describe Arcam’s signature sound, it would be warm and unfatiguing. The ST25 continues in this vein, offering a warm and inviting presentation while remaining capable of revealing the differences with higher-definition streams.

When playing Children’s Corner by Debussy, the treble is open yet never harsh, even on a piece that can sometimes come across as splashy or hard.

Playback in Qobuz Via the app

Moving on to The Wall by Pink Floyd, the bass is solid and authoritative. The vocals are superb, with the Arcam particularly excelling in the midrange—a hallmark of its performance.

Conclusion

As part of an Arcam system—or indeed any quality separates setup—the ST25 is more than worthy of an audition.

Its warm presentation is particularly suited to those who appreciate the human voice, whether male or female, and it remains entirely non-fatiguing throughout extended listening sessions.

The front panel display is a visual highlight and is, without question, the best I’ve encountered.

If you would like to arrange a demonstration, please don’t hesitate to get in touch.

Thank you for reading:

Jon & Andy - Audio T Swindon

If you have any questions about any of the equipment featured in this article, or any other hi-fi or home cinema enquiries, be sure to Contact Us

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Arcam is available in the following stores:

The Phono Stage Is Set - Rega Aura Vs Manley Oasis - Audio T Reading

REGA VERSUS MANLEY

As we approach The Bristol Hi-Fi Show 2025 we’ve been blessed to have an array of enticing high-end audio equipment coming through our Reading showroom door, all bringing about some agreeable “oohs” and “aahs” from our team as we got a first chance to feast our eyes and ears on the alluring electronics.

At the back end of 2024, the stunning Naia turntable made its in-store debut, Rega’s current flagship vinyl spinner – “ohh”. Then came the hefty Rega Aura reference moving coil (MC) phono stage, itself a top-tier offering when it comes to Rega’s, or anyone’s, phono preamplifiers. This was closely followed by an audacious Advance Paris A12 integrated amplifier, a behemoth of a unit packing 190W per channel into 8 ohms, while also bringing a plethora of inputs and outputs, a touch of tube flavouring in its pre-amp, oh and fully analogue, visually entrancing, VU meters – “aah”…

As if the above weren’t enough, our sublime sounding Spendor D7.2 floor-standing loudspeakers arrived back with us from a customer home loan, and then – seeming quite the cherry, upon the cherry, upon the cake – we were left tripping over ourselves by the arrival of another full fat, ultra high-end, moving magnet and moving coil (MM/MC) phono stage – the Manley Labs Oasis. This muscular, triode-valve phono preamp possesses a whole host of cartridge loading permutations to seemingly connect up every turntable under the sun – not all at once of course, it’s not that manly ;) – but we certainly found ourselves wondering what the Oasis could do for our very best MM and MC cartridges, for example the Audio Note IQ3 MM, the Hana ML MC or the Rega Aphelion 2 MC and so on...

GOLIATH VS GOLIATH – PREPARING THE BATTLEFIELD

All set and ready to go

Before getting too far ahead of ourselves, whilst in possession of two colossal phono preamplifier stages circa the £4,000 pricemark, there was one big elephant in our Swallowfield demo room that really needed addressing… How would the Rega Aura and Manley Oasis sonically fare when pitted against each other? Like watching a prime Mike Tyson and Evander Holyfield go at it back in the day (and not like viewing a geriatric Mike Tyson and half-his-age Jake Paul play out a testimonial farce) this seemed like a fair fight, only more epic!

THE BEAUTIFUL REGA NAIA

Without wasting more time (like that wasted watching the aforementioned farce), we put the wonderfully engineered Rega Naia turntable – complete with Aphelion 2 MC cartridge – through both the Aura and Oasis, then hooked up these special stages to the imposing Advance Paris A12 amplifier, before connecting up the superb Spendor D7.2 speakers. The Chord Company Signature RCA analogue interconnects and Chord Company Epic X speaker cabling were our connections of choice to complete our divine audiophile chain.

ENTER THE AURA – A GLOWING REGA STAGE

REGA AURA ( Photo Cred: Rega Research)

With the (phono) stage set, the titanic battle began with the Rega Aura up first. If you would like to know more about the Aura’s specs, you can find them here.

Here and now, we will focus on giving our sonic interpretations… Spinning a vinyl pressing of v2.0 by modern-jazz trio GoGo Penguin, the sound on offer was immediately intricate and insightful. With the Rega Aura in place, there was an organic nature to the presentation that was immediately easy to listen to, it was unfatiguing and the longer the album played the deeper the Aura-based system pulled us into the music, effortlessly and surely.

In the busier passages of the music and when the pace of the piano, percussion and bass playing all picked up, the Rega Aura system held the presentation together without ever becoming shouty or aggressive. The outlines of instruments were drawn beautifully, leading edges of strings and drum strikes were on the softer side, and the while the performance seemed to take place in a big space, there was seemingly lower airiness to the presentation which allowed each performer to be identified neatly and precisely within the soundstage.

FIRST Up - Rega Naia and Aura

Moving to a more obscure, but excellent electronic compilation – Itria Vol. 3 on the Milan based Polifonic label – the rhythmic drive of the Aura-based system came to the fore. The propulsive synth-lines within the opening track had a warm and plummy texture to them, again soft and analogue feeling in their delivery, but not lacking in body, weight or speed. The insight on offer from the Rega Aura driven system made it easy to earlier detect where every electronic warp effect and ambient drone elevation was starting in the mix. Tonally, the presentation from both albums felt organic and believable at all times without overly embellishing any aspects. A strong showing from the Aura… “aah”. 

INTO AN OASIS – A MORE MANLEY ESCAPE

Manley Oasis Phono Stage (Photo credit: Manley)

Given how polished the performance was with the Rega Aura, it was going to take something quite special from the Manley Oasis if it were to steer clear of any stage freight. But from just a quick glance at Manley Laboratories portfolio, the signs were promising as, despite weighing in at circa £4,000, the Oasis isn’t even the highest offering in Manley’s phono preamplifier range. Those more familiar with Manley will recognise them as a high-end pro-audio equipment manufacturer, but from the very first bar of GoGo Penguin’s v2.0, it was clear that, in the Oasis, the sound-smiths at Manley have some serious hi-fi chops…

Straight out of the gate, our same system with the Manley Oasis in place of the Rega Aura presented with liveness and a room-filling ability. The GoGo Penguin jazz trio performed with high energy and intensity, with each of the instruments drawn with a sharp outline, though not so sharp as to be gnawing or grating. Drum strikes and bass plucks were on the firmer and more palpable side and the overall sense during listening was of a performance powering out in a big space, with plenty of air around each of the performers, though with no lack of spatial imaging within the stage. The Oasis-based system didn’t gently pull us into the recording, from the start we were already a part of it.

Whilst playing the electronic soundscapes residing on Itria Vol. 3 by Polifonic, the individual synth-lines were presented with real bite and delineation via the Manley Oasis, perhaps letting go of a slither of the rhythmic flow within the opening track to, instead, place more emphasis on the texture and form of the synths. All of this was noticeable while the track continued to power through with weight and gusto. There was neutrality on show with the Oasis system, with only a gentle leaning towards warmth but not tipping too far. The high amount of detail on offer made it a sinch to detect all of the shades within the warbling sound effects and there was definitely a sense of zing and expression from the system… An equally strong audition from the Oasis… “ooh”. 

AURA OR OASIS? – THE STAGE IS ALL YOURS

TITLE FIGHT - IT’S A HEAVYWEIGHT BOUt

Whether like us you “ooh” towards the Oasis or “aah” towards the Aura, it’s very clear that when it comes to class-leading phono stages the Manley Oasis and Rega Aura are both spectacular, high-performance heavyweights, each perhaps owning its side of the same glittering gold coin. Each has its own unique sonic seasoning and individual take on presenting the audio signal. But among many positive attributes, what the Aura and Oasis have in common is their ultra-high ability to resolve and project a musical picture with cohesion, transparency and entirety.

Both phono preamplifiers are built to an exceptionally high standard and come equipped with a wide gamut of capacitive and resistive load settings, ensuring highly precise matching to pretty much any cartridge. It’s almost impossible to pick between these titans… however, aside from the sonic differences that we have shared, the following may help with making a distinction between the two...

Team Oasis…

You might be a “Manley fanley” if you desire a phono preamp that a) is suited to both mm and mc cartridges, b) is tube-based with a nicely judged valve tuning, c) has a clean front fascia with dip-switch adjustment at the rear for cartridge matching, and d) has an input and output that is unbalanced.

Team Aura...

You may be a “Rega beaver” if you desire a phono preamp that a) is suited to mc cartridges only, b) is solid-state with a smooth and even characteristic, c) has adjustment dials on the front fascia for cartridge matching, d) has an unbalanced input and output, and a balanced output, e) has a mono switch for listening to mono recordings via a stereo cartridge.

If you are interested in a high-end, highly revealing phono stage that can wring every last musical drop from your turntable setup, please do give us a call or pop in to see us. Whatever your query, or whatever criteria you may have, we are always delighted to help budding enthusiasts and seasoned audiophiles alike to progress on their hi-fi and home cinema journey.

Thank you for reading.

Rishi, Gareth & Dan – Audio T Reading


If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.


If you’ve enjoyed this, why not go ahead and read more of our other blogs, and be sure to follow us on our social media channels below…


Rega can be found at the following Audio T stores

Manley can be found at the following Audio T stores


A BIT ABOUT OUR NEW STORE

Our new Swallowfield store is accessible via the 600 bus route from Reading town centre and is very easy to reach by road with the A33, M3 and M4 all nearby. On arrival you’ll find ample free parking right on our doorstep, and our showroom and demo rooms are all on ground level.

The picturesque surroundings here provide many places to enjoy a countryside walk, a riverside stroll, or a picnic. There are local sites of interest to explore such as the Blackwater River, Wellington Country Park, Siren Craft Brewery and a host of cute village pubs with gardens. So when you come to see us, why not make a fun day of it?

Audio T Swansea and the ATC SCM40 (Passive) loudspeakers.

tHEY’RE HERE!

The Acoustic Transducer Company, or ATC as they are better known, has been a stalwart of the studio monitoring scene for five decades. Founded in 1974 by Billy Woodman to manufacture custom drive units for the professional audio industry, ATC quickly made its mark with a 12″ bass driver—a design capable of handling more power and producing less distortion at a higher sound pressure level than any other unit on the market at the time.

In 1976, ATC introduced a groundbreaking soft-dome midrange driver, which delivered a wider bandwidth, more uniform dispersion, and significantly lower distortion than was previously thought possible.

The following decade saw the launch of complete speaker systems, alongside further versions of high-power PA drive units supplied in OEM form to leading manufacturers and performers—early customers included Pink Floyd and Supertramp. Today, ATC speakers can be found in prestigious venues such as the Sydney Opera House, the Royal Festival Hall, and Ronnie Scott’s Jazz Club.

NICELY PACKAGED, FAIR PLAY.

Having established a market for reference-quality, precision-made monitors, ATC went on to develop a succession of smaller loudspeakers, ranging from the compact SCM7s through to the 10s and 20s. Available in both active and passive versions, these models brought ATC’s renowned performance and reliability into the music lover’s home.

In 1996, ATC launched its first stand-alone high-performance electronics. The SCA2 preamplifier and SPA2-150 power amplifier (later joined by the SIA2-150) were built in line with ATC’s philosophy, achieving performance figures that remain impressive to this day. The latest versions continue to deliver outstanding precision and musicality and come highly recommended.

ATC continues to design, engineer, and manufacture all of its drive units at its factory in Stroud, Gloucestershire.

ANY EXCUSE TO GET THE TOOLS OUT

SOOO… THAT’S WHAT THEY ARE.

Whilst all that history is reassuring, it was our own overwhelmingly positive experience with ATC products that made us eager to become ATC stockists. The ever-helpful Dave S at ATC has been incredibly generous in lending us various models of active and passive speakers over the past 12 months—from the modest to the comedy-double-take priced—allowing us to get a real feel for the ATC family sound and the company’s design philosophy. His patience has paid off.

Whilst we’ve been happily evaluating the ATC range (keep it to yourself, but Audio T literally pays us to listen to music), our customers have also been introduced to the ATC family sound—and their response has been overwhelmingly positive. This may or may not have influenced our decision.

VOILA! BY ‘ECK THEY’RE GORGEOUS.

We’ve started with a pair of rockin’ black stand-mount models—the SCM11s at £1,650—alongside these handsome, cherry-veneered floorstanders, the SCM40s at £4,750, which are a firm favourite.

Standing just under a metre tall and 37cm wide, with elegantly curved cabinet sides, they’re far from imposing in the average British sitting room—one of the many reasons for their appeal.

If we’re being honest, while we like to tell ourselves that audio performance is all that matters, sneaking a pair of 2m-high aluminium horns past our ‘significant other’ and into the lounge is always going to be an uphill battle.

The grilles are particularly unusual in that they’re barely visible at all. Typically, grilles obscure the loudspeaker drivers—but I rather like this approach!

THOSE TRICK GRILLES - PROTECT BUT DON’T OBSCURE.

Manoeuvring their 31kg weight around the room to find the ideal position had us reaching for the teapot—giving our Chord Electronics amplifier time to push some electrons through them and begin the running-in process. It didn’t take long. By the time we’d finished our tea, it was already clear how open and revealing the SCM40s were going to be, even if they did sound rather forward at first!

LINN SELEKT STREAMER, REGA PLANAR 10 TURNTABLE, ARIA PHONO STAGE, CHORD ELECTRONICS ULTIMA 3 PRE AND ULTIMA 5 POWER AMPLIFIERS, BLACK RHODIUM CABLES AND A SOLIDSTEEL RACK.

Eighteen hours later, they’d settled in nicely—the initial boom and tizz had all but disappeared, the bass had become far more articulate, and the hard treble had softened to a far more listenable level. Another 24 hours and the SCM40s had truly shifted into top gear. The open character for which they’re so highly praised in the press was now unmistakable, as was the midrange clarity and bass purity. These are no overblown boom boxes—if it’s not on the recording, they won’t pretend that it is.

Drums are a particular highlight—clean, fast, and tight. You can hear every element of a piano—keyboard, hammers, strings, and body—while female vocals are rendered with exceptional naturalness. And as for funk bass guitar… let’s just say it’s so indecent, it’s almost NSFW.

But don’t just take my word for it—come down to Audio T Swansea and have a listen for yourself...

Thanks for reading

Nic, Adrian and Andy at Audio T Swansea

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us

If you’ve enjoyed this, why not go ahead and read some more of our other blogs and be sure to follow us on our social media channels below…


ATC can be found at the following Audio T stores -

SWANSEA

BRIGHTON

BRISTOL

MANCHESTER

SOUTHAMPTON


Audio T Cheltenham and the Arcam Radia CD5 Compact Disc Player

I've recently noticed that it has been quite some time since any of our stores have written a blog dedicated solely to a CD player. This got me thinking—could this be a sign of the times? Is the once-mighty Compact Disc format truly in decline, or have we simply become so focused on the ever-growing popularity of vinyl and the convenience of streaming that we've ended up neglecting the good old CD player? Whatever the case, it seems only right to redress the balance. So, let’s take a closer look at the relatively new Arcam Radia CD5 and find out what all the fuss is about!

Minimalistic Simplicity

Radia CD5

The Radia CD5 may not be the most eye-catching CD player at first glance, but over the past few weeks, I’ve come to truly appreciate its understated, minimalist design. Rather than trying to stand out with flashy aesthetics, it embraces a refined simplicity that allows it to blend seamlessly into any system. What really matters, though, is not how it looks but how it performs—and that’s where it truly shines. The more time I’ve spent with it, the more I’ve grown to admire its no-nonsense approach, focusing purely on delivering great sound without unnecessary distractions.

Sailing a Bit Close To The Edge

Anyone for Prog

Arcam has been at the forefront of Compact Disc playback since the release of the Delta 70 CD player back in 1986—a groundbreaking design developed entirely in-house. Decades of expertise in crafting high-quality digital audio products have led to the creation of the CD5, a player that embodies everything Arcam has learned along the way. Every component and material has been meticulously selected, rigorously tested, and carefully refined to ensure nothing less than outstanding sound quality, staying true to Arcam’s legacy of audio excellence.

What’s Around The Back

radia rear panel

The rear panel of the Radia CD5 is well-equipped, featuring phono outputs alongside two digital outputs, as well as a USB input for added versatility. It supports playback of CD, CD-R, and CD-RW discs, meaning you can enjoy your favourite albums or even those carefully curated mix CDs from years past. If you prefer, you can also play music directly from a USB drive, making it a truly flexible source component. For those seeking high-resolution audio playback, the CD5 has you covered, supporting FLAC and WAV files from both CDs and USB storage, ensuring exceptional sound quality.

The Secret Weapon

Hidden within the Arcam Radia CD5 is a rather special component—the ESS ES9018 DAC. You might be wondering, what exactly is that? Well, this digital-to-analogue converter is the key to the CD5’s rich and engaging sound signature. Unlike some CD players that can sound overly clinical, the Radia CD5 delivers a wonderfully warm and natural presentation—more akin to the smooth, analogue sound of vinyl. Crucially, this warmth does not come at the expense of detail or musical insight. Instead, it strikes a perfect balance, offering a highly enjoyable and immersive listening experience, particularly impressive at this price point.

Keys To Ascension 2

Oh Yes!

To really test what this little Arcam is capable of, I decided to throw on a bit of Prog Rock (who’d have guessed?)—and it doesn’t get much proggier than this! My weapon of choice was Keys to Ascension 2 by Yes, a stunning mix of live and studio recordings, both beautifully played and even more beautifully recorded. For the real test, I went straight for Close to the Edge (yes, the entire thing), paying particular attention to the I Get Up, I Get Down section. This part of the track contains what might just be the deepest, most cavernous bass ever committed to CD, a true challenge for any player. The Radia CD5 took it all in its stride, handling the monstrous bass pedal section with absolute clarity and control, never losing definition or sounding muddled. Very, very impressive for a CD player at any price—let alone one at this level!

Discipline Is Never an End in Itself, Only a Means to an End

the mighty king crimson

Next, I turned to something even more rhythmically demanding: Discipline, King Crimson’s eleventh studio album and the first featuring the legendary lineup of Fripp, Levin, Bruford, and Belew. If any track could reveal a CD player’s ability to untangle complex, interwoven patterns, it’s Elephant Talk. This track feels like a natural successor to Larks’ Tongues in Aspic—tribal, hypnotic, and relentlessly intricate. Bill Bruford’s drums twist and turn through shifting time signatures, Robert Fripp’s jagged, elephantine guitar attacks collide with Tony Levin’s subterranean Chapman Stick bass runs, and somehow, it all comes together in a mesmerising sonic tapestry. The Radia CD5 handled it masterfully, presenting a soundstage that stretched from wall to wall in our demo room, making the whole performance feel utterly immersive.

Now, I know some might argue that the amplifier and speakers are doing the bulk of the work here—but I’d have to disagree. After all, your system can only ever be as good as the source feeding it, and if that’s not up to scratch, nothing further down the chain can fix it. In this case, the source is nothing short of a marvel. The Arcam Radia CD5 doesn’t just play CDs—it brings them to life.

Thanks for reading!

Andy, Jon and Farid - Audio T Cheltenham Store.

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


Arcam is available in the following stores:

Chromey ponders iconography as the Node Icon shows off its colours.

Introducing the brand new Bluesound Node Icon Reference Streamer—the latest evolution of Bluesound’s renowned streaming platform, and it has now landed at Audio T Manchester!

With a refreshed look, encased in a sleek aluminum chassis, it features a full-colour 5” HD display that provides clear visibility of track information, album artwork and system settings. This addition enhances the user experience and makes it easier to navigate the menus.

We know you're eager to hear all about it, so join us as we take a quick look at the new flagship steamer from Bluesound.

any thoughts chromey?

Who are these people?

Bluesound is a Canadian audio company specialising in high-resolution, wireless, multi-room audio systems. Founded in 2013, it is part of the Lenbrook Group, which also owns other audio brands such as NAD Electronics and PSB Speakers.

The company is renowned for its BluOS software, a proprietary multi-room operating system that supports streaming of high-resolution audio (up to 24-bit/192kHz) and integrates with various streaming services like Spotify, TIDAL, Qobuz, and Amazon Music. Handily, BluOS also allows for seamless integration with smart home systems, voice assistants, and control apps.

Generally, Bluesound products are highly regarded for their emphasis on sound quality and compatibility with a wide range of audio ecosystems.More recently collaborating with Cyrus, Roksan and Monitor Audio, making them a popular choice among audiophiles and home audio enthusiasts.

thrust! another great album by Herbie

Ok, so back to the Node Icon Reference Streamer

Offering a plethora of connectivity options, on the input side we have HDMI eARC, optical (TOS), analog (RCA), and USB-C inputs. Output connectivity options are comprehensive too, including a true balanced XLR and unbalanced RCA output, digital outputs are obtained via optical and USB.

Earr! , whats all this then.?

It also has a subwoofer output which works via single RCA, and even lets you connect to the Bluesound Pulse subwoofer wirelessly. Talking of which, “over the airway support” comes courtesy of Apple AirPlay 2 and aptX Adaptive Bluetooth for wireless streaming.

the I/O section at the back

Still looking for a route back to 1977 chromey? , THX it may well be, but not this time lad.

The Tomlinson Holman Experiment?

Now, here's an interesting one, there are two THX AAA enabled headphone outputs, Yes, that's right, the famous THX sound format created by Lucasfilm for cinema back in 1977. Now operating more like an audio electronics company that makes THX tuned digital boards and cables for the home cinema and hifi industry. And in this instance, low noise and low distortion are the key benefits for the Node Icon. Both sockets have an input detector and it is possible to use both outputs simultaneously, however the best performance is to be expected with only one pair of headphones connected at a time.

Dirac!

Another feature that sets the Icon apart and showcases its exceptional audio credentials is Dirac Live. For those unfamiliar, Dirac Live is a sophisticated room correction and audio optimisation software designed to elevate the sound quality of home cinemas, studio setups, and other audio systems. Developed by Swedish audio technology company Dirac, it employs advanced algorithms to analyse and correct room acoustics, speaker placement, and other factors that impact audio performance. It's a thoughtful touch that enhances the overall listening experience.

Screen Time!

The 5” display screen is a fantastic upgrade, offering immediate access to playback information without the need to rely solely on external devices like a mobile or tablet. The BluOS operating system remains impressively robust, and its streaming capabilities support a wide range of services, including Amazon Music, Deezer, Napster, Qobuz, and Tidal, ensuring seamless access to your favourite music.

Sound Quality.

At its core, the Node Icon boasts a dual-mono DAC design with two ESS Sabre ES9039Q2M DACs, delivering exceptional dynamic range and ultra-low distortion. This setup ensures crystal-clear, detailed, and dynamic sound reproduction. Adding to this is the inclusion of THX-certified headphone amplifiers, which provide remarkably low noise and distortion-free listening through quality headphones—an upgrade that makes for an outstanding headphone experience, in our humble opinion.

The dual DAC chips bring a balanced design that gives the Node Icon an openness and clarity, noticeably elevating it above the standard Node. The internal DAC of the Icon delivers significant improvements, offering more refined and nuanced audio performance.

Another standout feature is its support for DSD playback. For those with a library of high-resolution audio formats, the Node Icon has you covered.

In short, it ticks all the boxes, making it a superb choice for any music enthusiast!

As always, the proof of the pudding is in the eating—or in this case, the listening! While the specs and features of the Bluesound Node Icon are undoubtedly impressive on paper, the real magic lies in experiencing its performance firsthand. That's why we invite you to get in touch with us at Audio T Manchester to book a personalised demonstration. We’d be delighted to guide you through the Node Icon's remarkable features. Contact us today to arrange your visit, and discover how the Node Icon can transform your listening experience!

Thanks for reading

Munir, James and Dave - Audio T Manchester

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


Bluesound can be found at the following Audio T stores -

Answering Customer Question at Audio T Bristol (Part 2)

NEW RANGE OF REGA CARTRIDGES; ND3,ND5,ND7

New Range of REGA CARTRIDGES: (LEFT TO rIGHT) nD3, ND5, ND7

“I have a Rega Planar 3 50th Anniversary Deck with Exact Cartridge and Rega Fono MM. What is the best upgrade for this?”

The Rega Planar 3 50th Anniversary deck is a bit of a Goldilocks in the Rega range. Rega realised this, and due to its success, has released a similarly spec’d edition: the Rega Planar 3 RS. Like the new RS, the Anniversary edition came with an upgraded reference belt and a motor matched to the Rega Neo PSU Mk2 separate power supply. The Neo PSU Mk2 delivers a quiet, clean, and utterly stable feed to the Planar 3 motor, enhancing the deck’s overall performance. The Rega Fono MM is a worthy upgrade from an in-amplifier phono stage, especially if you’re not planning to upgrade the deck or cartridge to MC for some time.

REGA PLANAR 3 WITH EXACT CARTRIDGE

REGA PLANAR 3 STANDARD EDITION WITH EXACT CARTRIDGE

The 50th Anniversary deck offered a perfect balance of quality build, arm, cartridge, power supply, and phono stage. However, you could consider trading this deck in for the Rega Planar 6, which features a Tancast 8 foam plinth, an aluminium sub-platter, and a 6mm thicker dual-layer glass platter. The Planar 6 is a tighter, lighter deck, optimised for the Ania and Ania Pro Moving Coil cartridges from Rega.

To Nd or Not to Nd.

Back to the question: Is there a case to upgrade to the new Nd5 or Nd7 cartridges? Rega’s all-new Nd range of cartridges is a world first. Developed over 10 years, these cartridges promise “next level” performance from moving magnet technology. Each model uses an ultra-high-powered Neodymium magnet, enabling a unique design that delivers more power than a standard bar magnet. These cartridges feature a glass-filled PPS body, providing improved rigidity and vibration control.

Nd Cartridge Overview:

  • Nd3: Replacing the multi-award-winning Elys 2, the Nd3 features a high-quality elliptical profile manmade polycrystalline diamond bonded to a round titanium shank. It’s a factory-fitted option for the Planar 2 or 3.

  • Nd5: This cartridge has an aluminium cantilever with a precision “perfect elliptical nude diamond” stylus. This profile offers exceptional tracking accuracy and extracts greater detail from vinyl.

  • Nd7: Featuring a “fine line” nude diamond profile, the Nd7 is designed for ultimate detail retrieval. The same profile is used in Rega’s high-end MC models, Apheta 3 and Aphelion 2. The Nd7 performs best when paired with the Planar 6 or Planar 8.

For this setup, upgrading from the Exact to the Nd5 is the better option.

Phono Stage

REGA FONO MM PHONO STAGE

REGA FONO MM PHONO STAGE

Could further performance gains be achieved by upgrading the Fono MM phono stage to the Aria? Considering a future move to a Planar 6 or higher with an MC cartridge, the Aria is worth exploring.

I called Rega up on this, to find out if the MM is the same topology in the Aria as the Fono MM - turns out NOT AT ALL. When designing the Aria, Rega leveraged the improved power supply and layout space to create a newly designed MM stage, discreetly housed and insulated. Unlike the Fono MM, the Aria benefits from a cleaner power supply and enhanced circuit design.

The Aria is an “all-analogue amplifier” with no digital control circuitry. Its aluminium case shields internal circuits from stray RFI signals, and its design avoids “superfluous gadgets” that could degrade sound quality. The MM input uses low-noise bipolar transistors configured as a compound pair. Separate power supplies for each channel and further sub-power supplies for low-noise circuits ensure top-tier performance.

Setup & Listening

image: Selection of albums used to evaluate upgrades: form artists;Stereophonics, Amy Winehouse, Portisthead, Applewood Road, Vashti Bunyan, Leif. Bonny Light Horseman, Beck, When Jah Shall Come -Various

Selection of albums used to evaluate upgrades: from artists;Stereophonics, Amy Winehouse, Portishead, Applewood Road, Vashti Bunyan, Leif. Bonny Light Horseman, Beck, When Jah Shall Come -Various

To evaluate the upgrades, I tested with the following vinyl: Stereophonics, Amy Winehouse, Portishead, Applewood Road, Vashti Bunyan, Leif, Bonny Light Horseman, Beck, and the compilation When Jah Shall Come. Familiar music helps assess improvements in transparency, soundstage, instrument placement, and emotional presentation.

Starting with the Rega Planar 3 Exact with Neo PSU and Fono MM, I swapped the cartridge for the Nd3. Despite expectations of a step down, the Nd3 outperformed the Exact—a surprising result given its £175 price compared to the Exact’s £275. Rega’s claims of groundbreaking performance are justified. The Nd5 further enhanced performance, but the Nd7 offered minimal improvement, likely limited by the arm and sub-platter. This confirms that the Nd7 minimum deck is the Planar 6.

With the Nd5 fitted, I moved on to the phono stage. The leap in performance from Fono MM to Aria was similar to the improvement from Exact to Nd5.

Conclusions

The original Rega Planar 3 Exact Anniversary cost £899 with Rega Fono MM (£220) £1,119

Nd5 upgrade £295
Rega Aria £1,100
Less:- Rega Fono MM Trade in £150
Spend £1,245*

I know it’s an upgrade that costs more than the deck and on paper looks a little foolish, But, hear me out. The Planar 3 50th Anniversary, was a one off and is a thing of beauty. Heart ruling head - it’s worth every penny. Spend another £530, and future proof yourself with the Rega Planar 6, Aria and trade in the rega Planar 3 anniversary, the spend would be:
Rega Planar 6 (ND7) £1,575
Rega Aria £1,100
Less: Rega Planar 3 50th Anniversary + Rega Fono MM £900
Spend £1,775*

This was quite an expedition through the new cartridges from Rega and evaluating performance gain with upgrades to power supply and phono stage, and as always, the proof is in the pudding - book an audition and hear for yourself how the Rega Planar 3 performance can be improved.

Thank you for reading,

Justin, George and Max - Audio T Bristol

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…

*All prices, credit terms and interest rates quoted are correct at the time of going to press but may be subject to change. E&OE

Rega can be found at the following Audio T stores

“Send on the Subs!” – Exploring the Benefits of REL’s affordable subwoofers

Some hi-fi enthusiasts are sceptical, to say the least, that a subwoofer can improve the sound of a good two-channel system. But are they right to have their doubts? In this blog we explore some of the pros and cons of adding a sub to your system.

The first thing to note is that not all subwoofers are made equal. The vast majority of subs were and continued to be designed primarily for home theatre systems to provide slam and weight to movie sound effects. They often come as part of less expensive, high street speaker bundles.

Most of these AV subs are not particularly subtle. Their bass response will tend to be slow, undifferentiated and, for want of a better word, boomy. You might be happy with that for movies but you wouldn’t let them anywhere near your two-channel hi-fi system.

While clearly plugging a gap in the market, such units have given subs a bit of a bad rep in the hi-fi community. It’s understandable that some are wary of adding a subwoofer to their beloved systems.

But switch to a high quality sub, such as those made by REL, and the benefits are hard to ignore.

We’re focusing on the REL Serie T and Serie HT in this article - The T series comprising the REL TZero Mk3, the T5x, the T7x, the T9x and the T9x SE are all optimised for music.

REL t7x

The T series are certainly ready to rumble when an action movie demands it. It’s just that the HT series – the HT/1003 MkII, the HT/1205 MkII and the HT/1510 Predator – gives you more AV-focused bang for your buck.

Stuart Marchant, REL’s Business Development Manager for South East England and London, explains: “When sending an HT series an LFE (low frequency effect) signal they are on average 30 percent louder versus the equivalent model that focus on using ‘Hi-level’ as their main input. This makes all the difference when you want big powerful room filling impact and power.

The T series are equipped with a ‘Hi Level’ input and a unique filter system which delivers the whole frequency range and superior timing, this in essence makes the sub as fast as the main speakers - unlike most subs. It also delivers the tonal characteristics of the amplifier for complete integration.

The HT series units are also engineered with more powerful amplification than their T series equivalents with the HT/1510 packing a 1,000 watt amplifier compared to the top-of-the-range T9X’s 300 watts.

REL know it’s as important to match the correct amplifiers to the correct drivers regardless of power requirements. You can’t put a 1,000 watt amplifier in a T Zero as it will blow the driver. However, you do need a kilowatt of power and reserve to drive the 15-inch driver of the HT/1510 (Predator 2) in a dramatic cinema scene and do this with conviction.

REL HT1205

Diving deeper into bass

But low end power is not enough to make a sub truly convincing as an AV or two-channel performer. Speed is also important.

Bass counts for little if it isn’t fast,” says Stuart.

With a fast sub those bass and deep bass sounds are delivered with immediacy and have a realistic impact. When an explosion happens it should make you want to flinch or duck, as it would in real life.”

Placement of a REL sub can also make all the difference to the bass performance.

By placing the sub in a corner of a room near solid walls you get reinforcement of the bass. REL say that you gain an extra 3db for every flat surface that you can use as a boundary.

In effect it’s free power and enables the sub to extend deeper in response,” says Stuart.

Room size and layout affect bass frequencies far more than mids or highs because their wavelengths are so long.

Low frequency wavelengths can fold back on themselves causing bass cancellation points and bass nodes, or peaks, in all but the largest of listening rooms.

Unfortunately, these bass cancellation points can occur right where your listening position is.

The REL have a number of great articles including corner tuning your sub.

Not just about bass

A misconception is that a subwoofer is simply about improving the bass extension in your system. Yes a sub will do that, and then some.

But a good sub is also able to improve the soundstage, height, sense of space and scale by pressuring the room correctly, which underpins the mid and higher frequencies.

Bass and deep bass provide the foundations for music. When you hear this then music sounds more realistic,” says Stuart.

After all, when we listen to live music we hear all sorts of frequencies and some of them we feel, like the kick of a bass drum or the lowest double bass notes.

Proper bass allows you to process the rest of the music as it should sound. It allows us to calibrate the rest of the frequencies, improving tonality and soundstage.

Interestingly, having listened to many REL subs in our Portsmouth demo room, it is clear that even tracks with little or no bass or deep bass in them benefit from a sub.

Some of this maybe due to psychoacoustics, in other words the way we perceive the sound in our heads. But there are also physical effects, according to REL.

There are multiple frequencies contained in voices and instruments that one wouldn’t normally think of as containing deep bass,” says Stuart.

Think of the human voice. It exists primarily in mid-range octaves but within that there will be resonances, vibrations, reverberations, breaths and so on that contain lower frequencies.

A REL sub will help present more of that information giving you far more detail and nuance to the whole of the music, not just the bass.”

Set the controls for the heart of the bass

Tuning a REL sub, which includes the correct placement of the sub in your listening room, is something closer to art than science, according to REL.

REL T9X controls

It involves setting the hi/low and crossover controls on the back to the preferred levels so that the sub sounds right, enhancing the sound of a system rather than overpowering it with bass.

Having positioned your sub in your room and then tuned the controls on the back of the unit, we reckon that even the most hardened sceptics would find it hard to deny the improvement in sound.

I know. I used to be one of the sceptics.

Thanks for reading.

Alan - Audio T Portsmouth

REL have some excellent articles on tuning your sub this which make it pointless repeating in this blog.

And check out these videos on the REL YouTube channel:

  • Unlock the full potential of your audio system with REL subwoofers video

  • Q&A with REL’s Chief Designer John Hunter Video

If you have any questions about any of the equipment featured in this article, or any other hi-fi or home cinema enquiries, be sure to contact us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…

Hi-Fi Quality At A Great Price: Three Fantastic Starter Systems At Under £2,000! (Part 1 of 3)

Here at Audio T Southampton, we pride ourselves on offering a range of options for those embarking on their very first Hi-Fi journey. This three-part blog series highlights the primary source components - vinyl, CDs, and streaming - that form the foundation of a Hi-Fi system.

In this month’s blog, we’ll dive into the ideal system components for vinyl enthusiasts. So, without further ado, let’s get started!

Analogue Dreamin'

We begin our series with the ultimate analogue system, featuring a turntable, amplifier, and speakers (plus speaker cables, of course). Let’s start with the heart of the setup: the turntable.

A beautiful black rega planar 3

To keep the system balanced while delivering high-quality sound, I’ve explored many turntable brands. Two standouts are Rega and Dual, offering exceptional manual and automatic options.

For a manual turntable, my top pick is the Rega Planar 2, paired with the new Nd3 Cartridge, retailing at £599*. This turntable offers a warm, rich sound and minimalist features—perfect for purists.

Rega Planar 2 - An example in the lush walnut finish

For an automatic turntable, I recommend the Dual CS 329 with the Audio Technica AT-91 Cartridge, priced at £399*. This model delivers impressive analogue sound while removing the need to manually move the tonearm -ideal if you prefer a more hands-free experience.

Dual cs 329 - Simple yet elegant, it comes with a stylish black finish.

Amplifying Your Music

Choosing an amplifier is no easy feat, but after thorough research (and perhaps too much coffee), I’ve narrowed it down to two excellent options with distinct characteristics:

The Rega IO - a small yet punchy award winning analogue amplifier, sitting at a respectable £420*. It features a dedicated MM phono input for your turntable, alongside two more analogue inputs for any other sources you may want to add in the future. In terms of power, it produces 30w per channel. This may not sound like much, however it can drive some modest sized speakers without breaking a sweat. Its warm, laid-back sound is perfect for unwinding after a long day.

Rega IO - a small but mighty giant

And for those who prefer a few more features, I’d suggest the all-new Arcam Radia A5. This full-sized amp, retailing at £749, offers 50W per channel and plenty of modern features, including Bluetooth connectivity and a built-in Hi-Fi-grade DAC for high-resolution files. With its detailed sound signature, it unveils the hidden nuances in your music, making it a versatile choice for expanding your system.

Arcam Radia A5 - modern and sleek, it’s both definitely a looker and a great sounding piece of kit.

Beautiful Boomboxes

No Hi-Fi system is complete without speakers to bring it all to life. Here are two standout options:

Dali Oberon 1 - compact & impressive.

First up is the amazing DALI Oberon 1 Stand mounted Speakers. Priced at £399*, these compact stand-mounted speakers deliver a warm yet detailed sound. Perfect for small to medium-sized rooms, they’re easy to drive and a superb choice for rounding off your system.

Wharfedale Diamond 12.3 - small size, big sound.

If you are looking for something a little... bigger, then look no further than at the Wharfedale Diamond 12.3 Floorstanding Speakers, sitting at a tidy £499.95. With a broad and lovely soundstage paired with a lovely warm detail to them, they are simply fantastic for all of your system needs and wants.

And for those wanting something in a floor stander? The Wharfedale Diamond 12.3 – For something larger, these floorstanding speakers at £499.95* offer a broad soundstage with excellent warmth and detail. They’re fantastic for creating a dynamic listening experience in larger spaces. Although it is worth noting that the Rega IO might not be the best choice for these.

Copper Wires

To tie it all together, high-quality speaker cables are essential. For either setup, I recommend the Chord Co. C-ScreenX cable cable. At £11* per metre, it offers excellent shielding and pure copper conductors.

We typically suggest a pair of 2.5m cables, terminated in-house at your local Audio T store, for £95. Custom lengths can also be arranged to suit your needs.

Adding to Perfection

REL T-zero - You’d be amazed the difference a sub makes

Finally, let’s consider some enhancements to elevate your system further.

A great addition is a subwoofer, which fills in low-end frequencies often missed by standalone speakers. The REL T-zero, priced at £449*, is a compact powerhouse that adds depth and atmosphere, transforming your listening experience with tight, punchy bass.

Other additions

If a subwoofer isn’t a feasible option but you’re still looking to upgrade your system, an external phono stage for your new turntable is an excellent alternative. While not essential, a dedicated phono stage can deliver significantly greater detail and clarity than the built-in stage of most amplifiers.

For this purpose, the Rega Fono MM Mk5 is a standout choice at £220*. Compact and affordable, it punches well above its weight and is widely regarded as one of the best moving magnet phono stages available for under £500.

The final upgrade isn’t about enhancing your system’s sound quality directly but instead adding an entirely new source: a streamer. Over the past 6 to 8 years, streaming technology has advanced significantly, establishing itself as a leading choice for music playback. Some streaming services now offer high-resolution audio files - even surpassing CD quality!

A fantastic option is the WiiM Pro, priced at just £149*. This compact yet powerful device is truly impressive, capable of delivering high-quality streaming. Beyond music playback, it also supports your favourite radio stations and integrates seamlessly with Amazon Alexa, making it a smart addition to your home system.

One of the most affordable streamers around - WiiM Pro

Final Thoughts

And there you have it – the first instalment in our three-part blog series is complete! The items and options outlined above were carefully selected for their exceptional performance within their price brackets. Each one integrates effortlessly into a home system, delivering outstanding sound quality.

These are just a few of the many possibilities. We warmly invite you to visit one of our stores, where our team will be delighted to explore even more options tailored specifically to your needs.

Thank you for reading – stay tuned for the next chapter in your Hi-Fi journey!

Tiago - Audio T Southampton

If you have any questions about any of the equipment featured in this article, or any other hi-fi or home cinema enquiries, be sure to Contact Us

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


Rega can be found at the following Audio T stores


Dual can be found at the following Audio T stores


DALI can be found at the following Audio T stores


Wharfedale can be found at the following Audio T stores


Chord Company can be found at the following Audio T stores


REL can be found at the following Audio T stores


WiiM can be found at the following Audio T stores


*All prices, credit terms and interest rates quoted are correct at the time of going to press but may be subject to change. E&OE

Remarkable Ruark! The R610 console and matching Sabre-R speakers

Hello everyone, and welcome to the first blog of the New Year from Audio T Brighton! Let’s kick off 2025 with a bang by introducing some exciting new products from Ruark Audio: the Ruark R610 console, the matching Sabre-R bookshelf speakers, and the R-CD100 USB CD drive.

Since 1985, when Alan and his father, Brian Ruark, set up a small workshop in Rayleigh, Essex, to develop and manufacture loudspeakers, Ruark Audio has become synonymous with loudspeakers and more recently, smaller radio and lifestyle speaker systems, such as the R410, R1 and R1S. Always purveyors of quality kit, let’s see what the new Ruark R610 and Ruark Sabre-R speakers have to offer. I have the feeling that these offer a nice price/performance ratio in their market sector and will appeal to both the sound and aesthetics brigade. Let’s have a look...

Ruark R610 console

It’s always exciting to start the New Year with fresh new products, and this time we’re diving into the newly released Ruark R610 console and Ruark Sabre-R bookshelf speakers.

For this part of the blog, I’ll focus on the R610 console, exploring its features, sound, and functionality. But before we get to the details, let me indulge in a little background ramble!

One of the standout aspects of the new console and speakers is that they’re available to purchase separately. At first glance, this might seem like a minor detail, but Ruark’s “divide and conquer” approach could prove to be a real game-changer.

Ruark originally made a name for themselves with high-quality passive loudspeakers, but in the mid-2000s, they shifted gears into the “lifestyle” market. While their portable and lifestyle products are undeniably excellent, I always felt they left something behind when they discontinued their passive speaker range—a range that had taken a decade to perfect, earning critical acclaim and a stellar reputation along the way.

With this new console and speaker combination, Ruark has created a product that appeals to both lifestyle audio enthusiasts and hi-fi separates fans alike. It’s a clever move that bridges the gap between their heritage in loudspeaker design and their modern approach to lifestyle electronics.

If you’d like to dive deeper into Ruark Audio’s fascinating history, you can find a detailed blog I wrote about it here.

The new Ruark R610 console is available in two finishes—black or walnut—both of which are undeniably dashing! Ruark has also thoughtfully included an additional remote control, a handy feature for those whose listening chair is a little distance from their setup.

Inside the box, you’ll also find a 2 x 3m pair of beautifully braided, high-quality speaker cables, pre-terminated with banana plugs for quick and hassle-free speaker installation.

Flexible and future proof...

ruark r610 console rear inputs

The Ruark R610 console comes with the usual plethora of inputs modern digital devices often offer: Ethernet or wireless connection, DAB/FM radio, HDMI e-Arc, digital optical input, 1 x pair RCA line input/output, a MM phono stage/ground connection for your turntable and finally, a subwoofer output - as far as I can see, pretty much everything you need.

In terms of specs there isn’t much this console can’t do. Rated at 2 x 75W of Class-D amplification and with access to streaming services in abundance, the R610 really has you covered. A comprehensive list of services and specifications can be seen by clicking on the highlighted links.

R-CD100 CD drive playback option...

The rear of the Ruark R610 has an ace up its sleeve with a 5V USB-C input which cleverly allows for connection to the Ruark R-CD100 CD drive, in a nicely matching finish, especially if you buy the walnut R610.

ruark cd-drive as an optional extra

The Ruark Sabre-R bookshelf speaker...

The Ruark Sabre-R speakers mark a welcome return to form for the brand. Aesthetically matching the rest of the Ruark range, they exude class and sophistication. Of course, this would be meaningless if their sound didn’t live up to expectations—but thankfully, that’s far from the case.

The Sabre-R speakers deliver a wonderfully warm, mellifluous sound that pairs beautifully with the Ruark R610. While they may not offer the most intricate detail, they shine as musical speakers that will work seamlessly with other brands, thanks to their versatile and accommodating sonic character.

Available in two sumptuous finishes, the Ruark Sabre-R speakers will effortlessly complement most home environments.

A Ruarkably complete package...

ruark r610 console plus sabre-R speakers

There’s not much more to add about the Ruark R610 console and matching Sabre-R speakers that hasn’t already been said. Simply put, we all love them here at Audio T Brighton. If you’re looking for a perfect blend of style and sonic substance, we highly recommend this dynamic duo.

As always, the proof of the pudding is in the eating, so do get in touch to book a demonstration.

Thanks for reading.

Ade, John and Paul - Audio T Brighton

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…

Dreaming of Streaming: Is £2,000 and Above the Golden Number in the World of Streamers?

Matt at our Cardiff store takes a closer look at the world of streaming, focusing on the £2,000 and above price bracket—often considered the higher echelon of streaming. For those eyeing a significant upgrade to the source end of their Hi-Fi systems, Matt has chosen three standout streamers that shine in this category. Let’s join him on this month’s journey to see what he’s discovered.

Where Streaming Fits Into My System

Over the past three years, my Hi-Fi system has evolved dramatically, as many of you may have noticed in my blogs. I’ve made various upgrades and additions, covering both vinyl and CD playback. Yet, one key source remains conspicuously absent: streaming.

So why haven’t I added a streamer to my setup? After all, for many, streaming is the cornerstone of a modern Hi-Fi system. As we often say, the source comes first—it’s the voice of the system, setting the tone for everything downstream.

Streaming offers unparalleled access to music, far removed from the days of flipping through records at my local shop, Spillers in Cardiff, debating whether an album was a one-track wonder or a masterpiece. Today, with platforms like Qobuz, discovering new music is effortless, and that’s a compelling reason to embrace streaming.

Why Focus on the £2,000 Bracket?

As we know, the quality of the source should match the rest of your Hi-Fi system. The £2,000 bracket marks the point where streamers begin to deliver exceptional build quality and components, including DACs and power supplies. Many models also allow for upgrades with external power supplies, much like turntables or CD players.

The Contenders

To explore this world, I’ve chosen three streamers that sit confidently in this range:

Cyrus Stream XR

cyrus stream xr


With my system already built around the latest Cyrus Classic range, the Stream XR is a natural choice for synergy. Featuring Cyrus’s second-generation QXR DAC, based on the ESS9038Q2M chipset, it offers stunning performance. Its internal power supply is another standout, delivering clean, stable power for uncompromised sound quality. The BluOS interface, developed in partnership with Bluesound, is intuitive and seamless to use.

AURALiC Vega S1

auralic s1 streamer


Next is the AURALiC Vega S1 Streaming DAC. AURALiC has long intrigued me, and the Vega S1 more than lives up to its reputation. Introduced with the Tesla G3 streaming platform, it delivers exceptional processing power and flexibility. The Lightning DS app is highly user-friendly, and the build quality is outstanding. The Vega S1 also features three DAC filters, allowing you to fine-tune the sound to your preference. It’s a dream for those who love to tweak and experiment.

Naim ND5 XS 2

Naim is a name that requires no introduction, with years of experience in streaming technology. The ND5 XS 2 features a Burr-Brown DAC, offering a rich, detailed sound. Its proprietary streaming app is both reliable and intuitive, making it a joy to use. The ND5 XS 2 brings warmth and detail, making it a classic choice for discerning listeners.

The Listening Test

Now, the real fun begins! To put these streamers to the test, I used a range of music across genres:

Cyrus Stream XR

The Stream XR’s synergy with my Cyrus Classic amplifier was immediately evident. Its QXR DAC revealed intricate details, like the texture in Rory Gallagher’s guitar tone and the gravel in his voice. The BluOS interface made browsing Qobuz effortless.

Auralic Vega S1

The Vega S1’s sound was expansive, revealing layers in Big Wreck’s In Fair Light that I hadn’t noticed before. The DAC filters added flexibility, letting me tailor the sound to suit the track.

Naim ND5 XS 2

The ND5 XS 2 delivered a spacious soundstage and a beautifully warm tone. Tracks like Taree by Soundgarden highlighted its ability to balance detail with musicality, showcasing both the power and nuance of the recording.

The Verdict

All three streamers are excellent, capable of decoding HD formats up to 32-bit and offering fantastic connectivity. However, the Cyrus and Auralic models allow for external power supply upgrades, which elevate their performance but push them beyond the £2,000 budget.

In Conclusion

There’s no one-size-fits-all answer in Hi-Fi. Each of these streamers delivers exceptional performance, and the best choice depends on your system and preferences. Why not visit your local Audio T store and have a listen for yourself?

Thank you for taking the time to read my blog.

Matt - Audio T Cardiff

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…


Naim can be found at the following Audio T stores

AURALiC can be found at the following Audio T stores

Cyrus can be found at the following Audio T stores


*All prices, credit terms and interest rates quoted are correct at the time of going to press but may be subject to change. E&OE

FIRST LOOK AT THE RUARK R610 MUSIC CONSOLE AND RUARK SABRE-R LOUDSPEAKERS

For those of us with long memories Ruark Audio was originally a manufacturer of high quality loudspeakers; indeed I fondly remember my first ‘proper’ sale (back when I first joined Audio T), which included a pair of the original Ruark Sabre as part of the customer’s system. Ruark then moved into the manufacturing of high quality radios, followed by stylish all-in-one systems. They have now gone full circle with the release of the brand new Sabre-R loudspeakers, designed to partner the all new R610 Music Console.

Ruark R610 and Ruark Sabre-r’s

Ruark R610

Instantly recognisable as a Ruark product, the design features elegant mid-century cues and those signature wooden slats, also found on the R1 MK4, R2 MK4, R410 and the flagship R810. The build quality is exceptional, with top-notch materials that exude a real sense of craftsmanship. Its modest dimensions make it easy to accommodate in various spaces.

The product is available in two stunning finishes: satin charcoal and fused walnut. Control is effortless thanks to the intuitive Roto Dial on the top panel, complemented by a matching Roto Dial remote control. Both are beautifully made, tactile, and a pleasure to use. A large, full-colour display adds to the experience by providing clear information and artwork. Power is delivered via 2 x 75 watts of Class D amplification.

RUARK R610 Music console

Connectivity is a standout feature of the R610, offering Apple AirPlay, Google Cast, Spotify Connect, Tidal Connect, Bluetooth, DAB, FM, and Internet radio. It’s also compatible with UPnP music servers. Physical connections include a moving magnet turntable input, HDMI with eARC, and a USB port for the matching R-CD100 CD player. While there is no dedicated app, the system can be easily controlled via your mobile device.

Ruark Sabre-R

Ruark SABRE-R

Similar in size to the original Sabres, these speakers are impeccably finished and feature wooden strips that perfectly complement the style of the R610. It's a thoughtful design touch that integrates beautifully. These two-way speakers boast an 86dB sensitivity and a 6-ohm nominal impedance, with a frequency range of 50Hz–20kHz (+/- 3dB) in free space conditions.

Included in the package is surprisingly high-quality speaker cable—far from the budget cable you might expect to find bundled in.

While all components are available separately, it’s likely these products will often be purchased as a set. They’ve been carefully voiced to work together as a system, delivering a cohesive and harmonious performance.

So, how do they sound?

Listening to Shelby Lynne’s “Just A Little Lovin’,” the presentation is warm and non-fatiguing - a laid-back delivery that remains thoroughly engaging. Switching to “Ballad of the Runaway Horse” by Rob Wasserman and Jennifer Warnes (my go-to setup track), the system showcases excellent midrange clarity and an open treble. Lou Reed’s “Walk on the Wild Side” reveals just how far speaker technology has come during my 35 years in the industry, delivering lovely, tuneful bass. The bass extension is particularly impressive, defying the compact dimensions of the speakers.

In Conclusion

At £1,899* for the system (plus £249* for the optional CD player), this package represents something of a Hi-Fi bargain. With extensive connectivity, exemplary build quality, and superb sound, it’s a standout offering.

If you’d like to experience it for yourself, please get in touch.

Thank you for reading:

Jon & Andy - Audio T Swindon

If you have any questions about any of the equipment featured in this article, or any other hi-fi or home cinema enquiries, be sure to Contact Us

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…



*All prices, credit terms and interest rates quoted are correct at the time of going to press but may be subject to change. E&OE

Advance Paris hit the sweetspot with their keenly-priced active Bluetooth and streaming enabled AIR65 Connect speakers

When Audio T welcomed the arrival of the Advance Paris range of hi-fi components into our stores in August it was with a flurry of excellent product reviews.

But one product was rather overlooked – Introducing the AIR65 Connect Loudspeakers.

Advance PAris AIR65 Connect speakers

Overall, the Advance Paris range offers superb value for money by combining great sound and excellent connectivity. And the AIR65 Connect speakers fit right into that Advance Paris mould.

This is a pair of compact, active (2 x 55wpc amplification is built-in) speakers retailing for £500* (£550* for the Light Oak and Walnut finishes). They can be hardwired via optical and coax to a source and come equipped with a built-in (moving magnet) phono stage.

the air65s in light oak

Just add a streamer, or a CD player and/or a turntable from, say, the excellent Rega Planar range to create a multibox hi-fi system.

Or, for an additional £100, you can buy the AIR65s with the WTX Microstream streaming unit which plugs into the back of the speakers to create an all-in-one streaming system.

the wtx miscrostream turns the air65s into streaming speakers

It is an incredibly neat and versatile solution for those who want a pair of active speakers for relatively little money.

Value

Bearing in mind that many powered hi-fi speakers can cost serious amounts of money (like the awesome ATC SCM50 ASLs) then the AIR65s are astonishing value.

Ok, comparing a speaker like the AIR65s with the SCM50 ASLs would be like comparing a cheap runaround car with a luxury motor on the grounds that both have built-in engines.

But for tight spaces and budgets the AIR65s may be just the thing.

The Bluetooth sound from the AIR65s is pretty decent and hooking my phone up to the speakers was a doddle.

Listening

When playing the intensely bassy trance track Sonic Masala by Zentura (Sacred Circuits Vol 3) the Bluetooth sound was detailed and pleasingly weighty. Switching to the same track streamed (CD-quality 16bit, 44KHz) via the Microstream from Qobuz the sound was instantly cleaner and more detailed.

Listening to the air65 connects in the portsmouth demo room

The Bluetooth presentation of Honeymoon is Over by Malia (The Garden of Eve) had plenty of attitude and did justice to the singer’s wonderful bluesey rendition. Switching to a 24bit 96KHz stream of the same song on Qobuz added significant subtlety to the performance.

Alt-J’s track Get Better (The Dream) was very nicely rendered via Bluetooth with Joe Newman’s voice well projected and with great tone. A high-res Qobuz stream cleaned up the sound significantly, lowering the noise floor and allowing more of this sparse recording to be heard.

From sparse to frenetic, You’re Gonna Miss Me (2008 Remaster) by the 13th Floor Elevators is a gloriously raucous recording (it’s mono) in which everything in the recording studio (which appeared to have all the sound deadening of a tiled bathroom) felt like it was turned up to 11.

the air65s did a good job with the 13th floor elevators (image courtesy of International artists)

On Bluetooth the AIR65s did a great job at making sense of this noisy track. A CD-quality stream from Qobuz gave everything more polish, allowing you to hear more of what was actually going on musically – although part of me actually enjoyed this runaway train of a track more in Bluetooth.

The Long Ryders track Looking for Lewis and Clark nicely showed off the rhythm that these little speakers can bring to music, with the track’s pounding drum beat and driving guitar conveyed well via Bluetooth and streaming.

Conclusion

These are cracking little powered speakers at a great price. They offer better sound than most Bluetooth speakers around the same price, not least because the connecting cable between the two allows you to place them at least two metres apart giving you decent stereo separation, something that one box solutions would struggle to match.

The connectivity is excellent. Bluetooth, streaming (with the WTX Microstream plug-in or another third party streamer), digital in and even a built-in phono pre-amp give - all of which give you lots of options.

Of course these little boxes have some limitations due both to their size and their cost. However, you could easily imagine these speakers giving many hours of fuss-free musical enjoyment in a student accommodation, studio flat, in an office or anywhere else where space is at a premium.

Thanks for reading

Alan - Audio T Portsmouth

If you have any questions about any of the equipment featured in this article, or any other hi-fi or home cinema enquiries, be sure to Contact Us

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…



*All prices, credit terms and interest rates quoted are correct at the time of going to press but may be subject to change. E&OE

Audio T Cheltenham And The Year 2024 In Music

It is quite amazing how quickly yet another year has got behind us. I think that 2024 has quite probably been the best year for new releases in absolutely flippin’ ages. Possibly even since the vinyl revival began in earnest in 2006. I would just like to use up this blog time to take you through a few of my tip top favourites and hope that I may spur you on to try something new and to perhaps recommend something to me in return!

In No Particular Order

These five albums have been chosen for their power, passion and beauty. All have spent a great deal of time sat next to my Rega P7 turntable at home in my man cave ready to jump on the ceramic platter at a moments notice and all of them have come to mean a lot to me during the year. They are also of course (in that grand tradition of reality TV neutrality) in no particular order. So here we go….

All The Way From Barcelona

tarot parts one and two by magick brother and mystic sister

Ok so this first choice may be cheating a little. Barcelona based band Magick Brother And Mystic Sister released two albums during 2024. Tarot Part One arrived early on in the new year and then in December we were treated to (surprise surprise) Tarot Part Two to complete what is in effect a double concept album…. How prog rock is that? Stylistically their music is all ethereal floaty vocals with cosmic guitars, sitars, tablas, flutes, retro analogue synthesisers, and mellotrons. Here and there are littered hints of folkie experimenters Pentangle, Mike Oldfield, prime time Popol Vuh and Radio Gnome period Gong. All of this is moulded into a visionary sound that is totally their own. Spiritually uplifting, this is definitely 2024's prog rock masterpiece! Production and pressing quality is rather amazing too and all wrapped up in beautiful gatefold sleeves that when put together form a Tarot board. My copies both came with Tarot card reprints with handwritten messages from lead singer and synth wiz Eva Muntada (thanks Eva!).

the Tarot reading board created when two gatefolds come together

Flying Saucer Attack?

three quarter skies

Second on the list is the Three Quarter Skies album, which is the side project of Slowdive drummer Simon Scott. You may wince at the thought of a solo album by a drummer, but here Scott ably assisted by illusive Flying Saucer Attack main man Dave Pearce, refracts his shoegazy psychyness expertly through a lattice of glitchy drums and buzzing synths. The expected elements - voice and guitar primarily - are melted into cosmic slop that I can't help but assume Pearce, who assisted Scott with the mixing, had a rather large hand in. There are songs in here somewhere but they are reduced to a bubbling ambience of dreamy fuzziness. Particular highlights are the last two tracks on side two. “Pictures Of Roslin” where walls of distortion and feedback are wrapped around a distant drum beat and a ghostly disembodied vocal and then the majestic “In The Night” which is the most overtly Flying Saucer Attack-like and quite possibly the most mind expanding slice of dreamy psychedelia you will hear this year.

Bleak And Beautiful

lives outgrown bt beth gibbons

Next comes Lives Outgrown by Beth Gibbons. Here both the music and the sound quality are stunning. You may know Beth as the singer with genre defining trip hoppers, Portishead.

Here she collaborates with Lee Harris of TalkTalk and the resulting album is all at once eerie, spooky and well suited to the time of year. There is a little bit of Pink Floyd in here too and lyrically the album seems centered on fighting personal battles and then whatever may come after! The overall package is great too, coming in a retro effect tip-on gatefold sleeve with a studio booklet, art print and gatefold lyric sheet with pictures of Beth in blurry reflective mode.

One to file in between your Kate Bush and TalkTalk albums. As I touched upon before the sound quality of this album is amazing and the pressing is faultless. That bass thump at the end of the first track on side two “Reaching Out” is just awesome as is the bass and drum rumble on the track “Rewind” which has become one of my demonstration test pieces. The real star of the show though is just how well the vocals are recorded. There is space aplenty with a goosebump inducing palpable sense of reality As such this is the kind of album that will make your hi-fi system really sing and is one of 2024’s essential purchases.

The Return Of The Goths

the goths are back!

Then we have a bit of an unexpected one. Songs Of A Lost World. The first album in sixteen years by The Cure. In my youth I was more than a bit of a goth and a huge fan of The Cure (among others) but after sixteen years I was rather dubious about whether the world needed another Cure album and turns out that yes it does! Anyway on its release day I gave it a listen on Qobuz and thought it was OK. Played it in the car too and after a couple or three plays it was growing on me so I bought a vinyl copy and what I previously thought was fair to average at best turned into a proper trippy powerhouse full of mangled gnarly guitar riffs, long instrumental passages and songs about loss, regret and growing old and wondering what your place in the real world might be? What also struck me was just how much better this is compared to the streamed version which sounds awfully flat. First track on side two Drone:No Drone is quite possibly the best thing they have ever committed to tape…. classic Cure! There was a hint of controversy regarding which pressing to go for as there was a Miles Showell Abbey Road cut, a double 45rpm version of the same, various coloured vinyl versions and a Bernie Grundman cut on black and grey swirly vinyl. I plumped for the last one and have not been in the least bit disappointed, it sounds amazing and really brings out the powerful psychedelia. I think it’s their best since 1989’s Disintegration!

Enjoy The Mildlife

chorus by mildlife

My last choice here is a stunner both musically and sound quality wise. This one is titled Chorus and is the third studio album from Australian psychedelic jazz fusion prog dance group Mildlife. All their albums are wonderful and this one from March this year is no exception. Sinewy bass guitar and drum rhythms collide with virtuoso guitar and keyboards. Chorus is the dance of an expanding and contracting universe – its groove is forever and always, cyclical and evolving. In its most human moments, the album luxuriates in the velvety embrace of Tomas Shanahan’s bass lines, Adam Halliwell’s luminous guitar riffs, Kevin McDowell’s hushed and alluring vocals and synthesisers, Jim Rindfleish’s intricate percussive tapestries and the spiritual rhythms of regular collaborator Craig Shanahan. Swept up in the chorus, the lines between individual and ensemble disappear into a giant cosmic blur. Chorus has become one of my all time favourite hi-fi system demo albums. Just listen and marvel at that bass guitar and percussion attack on opening track Forever and the delightfully dreamy vocoder led spaced out funk groove of Return To Centaurus. If you don’t adore it you can’t be my friend!

Honourable Mentions Go To…

There have been lots of great things this year and honourable mentions must also go to Futuropaco, Goat, Flock, Mdou Moctar, Laura Marling, Blood Incantation, Opeth, Tapir, Pye Corner Audio, Jane Weaver and Hollow Drifter (phew!).

Watch Out For The Big Reveal Coming Soon…!

For my ultimate fave and number one album of 2024 watch out for my next Instagram/Facebook post coming soon!

Thanks for reading!

Andy, Jon and Farid - (but mainly Andy) Audio T Cheltenham Store.

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…

Audiolab go the whole nine yards with the 9000N

Hello everyone, and welcome to the latest article from Audio T Brighton. This month, we’re in for a streaming treat, featuring the Audiolab 9000N Streamer/DAC/Pre-amp.

Audiolab have been a well known and respected hi-fi brand since the original Audiolab 8000A integrated amplifier stormed onto the scene, designed by Philip Swift and Derek Scotland, back in 1983. The 8000A was a huge commercial success for the brand, loved both by reviewers and the public, and is still considered a design classic today.

Nowadays the Audiolab brand is owned by the IAG group and although there is an undoubted family resemblance to the amps of yore, the equipment offered today is cut from a different cloth, albeit with some sonic inheritance from the past. Let’s see what they have to offer.

Let’s get personal...

an audiolab 8000a from the mid-1980’s

It seems I've owned far too many brands of Hi-Fi in my life—this is the second blog in a row where I have a personal story to tell. At this rate, I'll have owned as many Hi-Fi brands as Pep Guardiola has had consecutive losses by the time this blog is published!

Along with one of my mates, we were both proud owners of an Audiolab 8000A integrated amplifier during the mid-eighties. I kept my Audiolab 8000A for about 10 years and during that time it offered a sterling service, being my first “serious” amplifier and my mate has kept and is still using his to this day! Equipped with tone controls and a good MM/MC phono stage, the 8000A offered a fine, crisp and neutral sound with plenty of detail, dynamics and punch. It was a pleasure to use.

Will the modern day Audiolab 9000N streamer carry on the brands fine reputation in 2024? Let’s see.

The Audiolab 9000N

the audiolab 9000N is partnered here by it’s sibling the 9000a amplifier and proac db1 speakers

The Audiolab 9000N is a streamer/DAC/preamp, available in a black or a silver finish. I have to say, in my view, that the black finish melds with the display interface of the unit more successfully, but your mileage may vary and after all, beauty is in the eyes of the beholder.

9000N connectivity and app use...

The Audiolab 9000N is a fully-fledged streamer based around the technology developed by Lumin, a competitor whose experience in the digital field has been utilised by Audiolab in offering a user interface and sound characteristic commensurate with a streamer of this price class - more on that later.

The Audiolab 9000N allows standard unbalanced RCA or balanced XLR analogue output connectivity into any standard integrated amplifier or preamplifier so the Audiolab 9000N can also be used as a digital hub into an external DAC using Coaxial or Toslink SPDIF digital outputs if wished. Optionally, from within the App, users can select a fixed level for output for superior sound quality, albeit sacrificing the digital volume control the preamp section allows for convenience.

A matching integrated amplifier, like the Audiolab 9000A, enhances the unit’s flexibility while delivering a cohesive visual and sonic pairing. Here at Brighton Audio T, we regularly use the Audiolab 9000A amplifier, and it impresses with its excellent sound quality and competitive price point. For those who enjoy spinning CDs, the Audiolab 9000CDT compact disc transport is the perfect addition to complete this impressive line-up.

Inputs on offer comprise of an asynchronous USB-type B input, an Ethernet port for wired Internet streaming and a USB-type A input for attaching a memory stick or an external SSD drive music file playback.

Like all user interfaces, getting used to the Audiolab app layout and its use takes some acclimatisation. However, the app connects easily and accesses network drives and streaming services as well as most, and I found it straightforward enough after a couple of uses. The ability to configure how the app functions is common to several UPnP apps on the market and this can be done according to your own personal taste.

For a more extensive look into the operation of the Audiolab 9000N have a look at the App User Guide or the 9000N User Manual.

Sounds like it was designed in an audio lab by audio professionals...

The Audiolab 9000N is equipped with the latest ESS 9038PRO Sabre 8-channel DAC chip, using proprietary circuitry and the latest Hyperstream 2 architecture with Time Domain Jitter Elimination Technology for ultra-low distortion and unprecedented dynamic range.

Access to streaming services is comprehensive, with Qobuz, Spotify and TIDAL all being available, with local streaming from a Home server/NAS completing the package. For some audiophiles the availability of now being fully ROON Ready will elevate its appeal, especially given the ingress into the music playback market this software has now made.

Sound quality from the Audiolab 9000N is exceptional for the price class, with a very detailed and refined quality, exhibiting good width and depth in the soundstage, something which is usually the reserve of more pricey units. It sounds neutral and yet is sweet enough to avoid being too “studio like”, without the usual clinical tendencies associated with digital playback - praise indeed!

Summing-up

The Audiolab 9000N is nicely constructed and offers consumers great flexibility in streaming and digital format playback. Sonically it is at the head of its class and when suitably partnered with commensurate equipment like its siblings from the Audiolab stable, the 9000A amplifier and 9000CDT CD transport, it presents a compelling choice. The Audiolab 9000N is highly recommended!

As always, the proof of the pudding is in the eating, so do get in touch to book a demonstration.

Thanks for reading.

Ade, John and Paul - Audio T Brighton

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

If you’ve enjoyed this, why not go ahead and read some more of our other blogs, and be sure to follow us on our social media channels below…

In Retrospective, Quad 33/303 Combo Hits the Nostalgia Nail on the Head.

With the arrival of the new Quad 33 Preamplifier and 303 Power Amplifier combo at Audio T Manchester, we’re taking a moment to reflect on the legacy of these iconic components and explore how the new versions honour their heritage while embracing modern advancements.

The History from Quad

The Quad 33 preamplifier, first introduced in 1967 alongside the Quad 303 power amplifier, is a vintage audio component highly regarded for its elegant design, modular construction, and smooth, musical sound. It was designed as part of Quad’s integrated system, particularly for use with the Quad ESL electrostatic speakers, making it a classic choice for audiophiles.

The original Quad 33 is visually iconic, with its compact, cube-like chassis and distinctive silver and orange finish. It embodies the minimalist, functional aesthetic of the 1960s, emphasizing ease of use and modularity.

Controls: The front panel features rotary knobs for volume, balance, tone, and input selection, offering a clean and straightforward interface.

• Inputs and Outputs: Includes multiple DIN inputs for radio, tape, and auxiliary, along with a dedicated phono input (suitable for MM cartridges).

the original 33/303 (PHOTO CREDIT: QUAD)

The Present

The reimagined 2024 Quad 33 preamplifier and 303 power amplifier bring a modern twist to the iconic 1967 models, while maintaining their classic design ethos and sound quality. Key updates include improved circuitry, contemporary connectivity options, and a retro-futuristic aesthetic, but with an even better build quality.

Seriously, the fit and finish is excellent. The Quad is just beautifully bolted together.

chromey basks in the glow of nostalgia

Design and Aesthetics

Both models retain their compact and vertical design. The Quad 33 preamp features a matte silver finish with orange accents, now LED-lit, and a modern LCD display replacing older labels. Similarly, the 303 power amplifier preserves its signature heatsink fins, updated to a more modern appearance, with ten squared-off fins instead of the original eight . Now there’s a factoid for ya!

something about those lines that take you back to 1977, be careful you don’t end up in 1967 Chromey.

Performance Upgrades a plenty.

The 2024 Quad 303 power amp, rated at 50W per channel (8 ohms), incorporates an advanced “triples” output stage and a low-noise toroidal transformer. These updates enhance thermal stability, (according to Quad) reduce distortion, and provide ample current for demanding speakers. The amplifier can also be bridged to mono, delivering 140W for more demanding speakers. We had ours playing with a pair of Spendor D7.2, in standard 50w mode, the 303 didn’t skip a beat.

no sharp edges here, silky smooth.

The 2024 Quad 33 preamp introduces a tilt control, an innovative frequency adjustment tool from another time, originally introduced with the Quad 34 in 1982, and bass and balance controls come as standard (er thank you). It also features an upgraded phono stage supporting MM/MC cartridges and a dedicated headphone amplifier, not featured on the original 33.

The 33 also retains an all-analogue design but introduces a new low-noise toroidal transformer and upgraded circuitry for better performance. It now features modern (tongue in cheek) connectivity options, including RCA, XLR, (no dins here, pardon the pun) and a phono input with adjustable gain for turntables.

Sound Quality

Both units maintain Quad’s hallmark warm and detailed sound. Improvements in clarity and dynamic range ensure they don't sound like a “pipe smoking and slippers hifi”. Staying true to the smooth character of the originals with the added sparkle of Quads more recent offerings, we may have something here that may actually start a new trend. We are quite happy to recommend the new/retro 33/303 combo to all.

We think these new updated versions of the classic Quad strike a nice balance between nostalgia and recent hi-fi tech, making them a solid choice for both lovers of the retro aesthetic and modern hi-fi users, and that's not an oxymoron.

Thanks for reading

James, Munir & Dave - Audio T Manchester

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

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Quad can be found at the following Audio T stores

Audio T Cheltenham And The New Dynaudio Contour Legacy Loudspeakers

Now at Audio T Cheltenham - All the way from Skanderborg in Denmark and part of the intriguingly named Heritage Collection this brand new re-working of the Contour 1.8 compact floorstanders promises to shift a few goalposts…

Nice Chunky Wooden Crates

packed in wooden crates just to make sure they arrive in perfect condition

They arrive perfectly secure in their own bespoke packaging which is reassuring and adds to that sense of anticipation when opening the sturdy wooden crate.

perfectly packaged

Fresh Out Of Their Boxes

While I’m not usually one to get excited about packaging (and those endless unboxing videos online often make me cringe), I couldn’t resist capturing the moment. I promise it won’t become a habit—honest!

fresh outta da boxes

A Little Bit Of Tech Stuff

The Contour Legacy are a two and a half way rear reflex ported design using the cutting edge tech of Dynaudio’s own top end Esotar 3 tweeter and two 180mm bass/mid range drive units as used in the Evidence range. Each Contour Legacy speaker weighs in at a fairly hefty 32.5 kg and measures just 20.8 x 35.2 x 99.5 cm (WxDxH). They are very carefully matched as a pair, in a beautiful and sustainably sourced American Walnut wood. Although outwardly they closely resemble the old Contour 1.8’s that they are based upon, they are actually very different beasts!

that solid metal base plate and super chunky binding posts / banana sockets

The spike connections to the hefty metal bases are rock-solid, providing excellent stability for the speakers. Meanwhile, the gold-plated banana sockets not only ensure a premium connection but also radiate a sense of high-quality craftsmanship that perfectly complements the overall design.

What’s Around The Back

two rear bass ports

The two rear-facing bass ports play a crucial role in the Contour Legacy's ability to deliver deep, seismic bass extension. They allow the speakers to produce a low-end response that feels powerful yet controlled, adding depth and impact to your music..

the isotar tweeter in close up

Initial Listening Tests

While the Contour Legacy might closely resemble the original Contour 1.8s - including a reproduction of the classic logo on the front - don’t let appearances fool you. Having had the chance to spend time with a pair of the original Contour 1.8s earlier this year I know they are a really good speaker. However, I can confidently say the Legacy models are in a league of their own, and easily out perform the earlier version.

One track that truly showcased their capabilities was Soothing by Laura Marling from the Semper Femina album. From the very first notes, I was struck by how jaw-dropping the bass extension was. The depth and scale felt almost unreal for a speaker of this size. What’s even more impressive is the control and definition in the low end—it’s effortlessly precise, setting a new benchmark in performance for compact floorstanders.

in situ in our dem room

Just Wow!

The Contour Legacy breezed through another of my go-to bass test tracks—Evolution 1:1 by Connect.Ohm from the album 9980. This spaced-out, psychedelic ambient classic put their capabilities on full display. What stood out wasn’t just the subterranean depth and impeccable control of the bassline but also the immense soundstage they created.

This is one of those tracks I thought I knew inside out, yet the Legacies revealed layers of detail I’d never noticed before. My listening notes summed it up with a simple, emphatic “WOW” in capital letters—a reaction I don’t jot down lightly.

And bear in mind, this was straight out of the box. Once these speakers are fully run in, they promise to deliver a genuine taste of high-end performance at a price that’s surprisingly reasonable.

I could listen to these forever!

The Bit At The End

The only downside to all of this? The Contour Legacy speakers are a limited edition, with just 1,000 pairs available worldwide—and only 52 of those allocated to the UK. They’re bound to sell out quickly, so don’t hang about if you’re tempted!

If you’d like to hear the difference these incredible Dynaudios can make to your Hi-Fi system, give us a call or visit the shop for a demo. Trust me, you’ll be absolutely blown away by how good they sound.

Thanks for reading!

Andy, Jon and Farid - Audio T Cheltenham Store.

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Refurbishing an ageing Linn LP12 - Rekindling the Magic of Music

The late great Tom Petty isn’t best known as a philosopher but he hit on something when he said:

“Music is probably the only real magic I have encountered in my life. There’s not some trick involved with it. It’s pure and it’s real. It moves, it heals, it communicates and does all these incredible things.”

It’s why we love hi-fi - not for the equipment itself, although it can be pretty darn cool - but for the way it makes music sound and how that music makes us feel.

These feelings have incredible staying power. Most of us can recall songs from early childhood, and long after loved ones have died music has the unique ability to rekindle cherished memories in an instant.

This was especially true for Jean Vernon, who sadly lost her husband Ken, a long-standing Audio T customer. Over the years, Ken had owned many excellent hi-fi components, but his Linn LP12 turntable held a particularly special place in his heart.

After many years of use, and a little customisation, the turntable was in need of some TLC and Jean approached us at the Portsmouth store to see if it was possible to bring her late husband’s turntable back to its former glory.

Luke Ward, store manager at Portsmouth and a qualified Linn LP12 service technician took on the task of refurbishing the turntable.

The underside of Jean and Ken’s Linn turntable

The deck had clearly enjoyed a long life,” said Luke. “So the first task was to strip down the deck to understand what was required.”

Most obviously, the wooden frame was showing a fair bit of wear and tear so I sanded down in stages from coarse to very fine sandpaper to ensure a smooth finish. An application of linseed oil then brought out the natural grain of the wood.”

The wooden plinth was showing signs of wear and tear

From then on it was a case of fixing and replacing some of the faulty components including the tone arm.

Ken had preserved a box full of Linn components, including an Ittok tonearm. This allowed Luke to install the arm and rewire the turntable, restoring it to its original specification.

Stripped down to the bare wooden plinth

It’s a lovely deck and clearly it holds many memories for Jean. It was a pleasure to work on it,” said Luke.

Jean was overjoyed to have Ken’s turntable back which looked and sounded fantastic, with all the detail and musicality that these iconic turntables are famed for.

refurbished and back to its former glory

We bought the turntable in the 1980s,” said Jean. “We have always had record players and the house was always full of music.”

I wanted to keep that going but the sound quality of the Linn was not what it used to be so that’s when I contacted Audio T.

Over the years, Jean and Ken had amassed an impressive collection of albums. Playing these records again now brings joy not only to Jean but also to her children and grandchildren, creating new memories while cherishing old ones.

I put records on almost every day and it is quite wonderful the memories that the music brings back. It makes me feel happier,” said Jean.

Some of the records I haven’t heard in years. My children and grandchildren will say they remember certain songs from when they were young.

My grandson also brought a Green Day record around the other day to hear what it sounded like on the Linn.

Going the extra mile for our customers is at the heart of everything we do at Audio T.

In the case of Jean and her late husband Ken’s turntable, it’s rewarding to know that we’ve helped to restore not just the equipment but also a little of the magic Tom Petty spoke about.

If you have a Linn turntable in need of servicing or are curious about the latest products on the market, we’d love to help. Get in touch with us today to explore your options and keep the music playing beautifully!

Thanks for reading

Alan and Luke - Audio T Portsmouth

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Linn can be found at the following Audio T stores

Dyn with confidence - a closer look at the magnificent Dynaudio Confidence 50 speakers

Hello everyone, and welcome to the latest article from Audio T Brighton. This month, we’re in for a treat as we explore a touch of loudspeaker bliss, featuring a product from across the North Sea: Danish manufacturer Dynaudio.

Dynaudio has been producing loudspeakers for both domestic and professional markets for decades, and here at Audio T in Brighton, we’re proud to be a Dynaudio dealer. However, this month is something special, as we have the privilege of hosting some of Dynaudio’s high-end range of speakers. Enter the Dynaudio Confidence 50 floor-standing behemoths!

Dynaudio Confidence 50...

dynaudio confidence 50 in our resident naim 500 series system

Dynaudio - A personal story...

As a kid, I remember the adverts for Danish bacon vividly, but it wasn’t until my teens that I first became aware of the Danish brand, Dynaudio.

Renowned for their speaker drive units, Dynaudio was the go-to for several hi-fi manufacturers who relied on them to provide quality drivers for their speaker ranges – and very good they are too.

My own experience began with a pair of entry-level Dynaudio Audience 42 stand-mount speakers, which served me exceptionally well for several years. The hi-fi bug had truly bitten, and when I heard the impact of a pair of Dynaudio Focus 110 stand-mount speakers could have on sound, I bought them – and they’re still in the family today.

I'm fortunate to be able to listen to a wide variety of electronics and speakers in my line of work, and I've thoroughly enjoyed my experience with speakers from the more recent Dynaudio range. In fact, over the past couple of years, I’ve written about the superb Dynaudio Contour 20i, which you can read about here.

Have confidence, will listen!

dynaudio confidence 50’s in our naim 500 series system

So, what do the Dynaudio Confidence 50 have to offer? Let’s just say they deliver a level of performance that’s worlds apart from the Dynaudio stand-mount speakers I’ve owned. It’s safe to say that the Confidence range is the finest series Dynaudio has ever produced, packed with the most advanced speaker technology available today!

Full technical specifications are available on our website here.

dynaudio’s confidence range (Photo Credit: Dynaudio)

The use of original Dynaudio drivers, including the formidable Esotar 3 tweeter, combined with a precision composite baffle, innovative cabinet design, and optimised crossover, has created the most advanced passive speaker in their history. Dynaudio’s cutting-edge sound analysis tools in their Jupiter Lab measuring facility have led to the next generation of Dynaudio’s DDC sound-beaming technology, including the DDC Lens waveguide system.

dynaudio’s jupiter test lab facility (Photo Credit: Dynaudio)

The Esotar 3 tweeter in the DDC Lens works in harmony with the NeoTec woofers, the groundbreaking Horizon midrange driver surround, and the innovative Compex baffle, ensuring music is directed perfectly to your ears.

Striding confidently through music playback

All the technology in the world would mean little if the Dynaudio Confidence 50 didn’t deliver sonically. Now, I know Bonfire Night has passed, but the sonic fireworks these speakers bring are something to behold. With explosive dynamics and a massive sense of scale, they delineate each instrument and voice as distinctly as individual fireworks lighting up the night sky. I can’t say they’d blow up the Houses of Parliament, but they’d certainly get MPs’ attention if the volume were turned up!

Once the smoke clears, the Dynaudio Confidence 50 also display a soft, delicate touch, with musicality radiating from every driver, bringing musicians vividly to life before your eyes and ears.

A class act!

things are looking up with the dynaudio confidence 50 loudspeakers

I can speak with confidence when I say these speakers come highly recommended...

The Dynaudio Confidence 50 are a recent addition to our line-up of speakers here at Audio T Brighton, and we’ve been utterly astonished by their performance since their arrival – especially when paired with our Naim 500 system, comprising the Naim NAC 552 preamp 552PS DR and NAP 500DR 500PS, fronted by a Rega Naia turntable with Aphelion 2 MC cartridge and Rega Aura phono stage.

During our recent Turntable Event, we paired the shop’s Naim 500 series system and Dynaudio Confidence 50 loudspeakers with a range of turntables to impressive effect, including an Audio Note TT-3 turntable with Arm 3/IO MC cartridge and PSU-3 power supply, a Linn LP12 Klimax with Urika, Ekos SE, and Ekstatik cartridge, a Michell Gyrodec turntable with T8 tonearm and Cusis S cartridge, an SME Series 15A Diamond turntable with Series 5 tonearm and Rega Ania Pro MC cartridge, and finally a Cyrus TTP turntable, all running through a Cyrus Classic phono stage with PSX-R2 power supply.

It’s safe to say that these speakers’ performance vividly highlighted the differences between each turntable. If you’re looking to build a high-end system, the Dynaudio Confidence 50 come highly recommended.

As always, the proof of the pudding is in the eating, so do get in touch to book a demonstration.

Thanks for reading.

Ade, John and Paul - Audio T Brighton

If you have any questions about any of the equipment featured in this article, or any other Hi-Fi or home cinema enquiries, be sure to Contact Us.

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SME can be found at the following Audio T stores -